Showing all posts by pqpbach

Aqui, toda a coleção.

IM-PER-DÍ-VEL !!!

É claro, já estou com saudades. Após ouvir a obra completa do húngaro, penso em quando irei retornar a ela. Acho que não demorará muito. Ouvir estes CDs foi uma linda aventura patrocinada pelo colega Vassily Genrikhovich. Ouvir Bartók foi conviver com o compositor, o pianista, o professor, o musicólogo, o etnomusicólogo, o colecionador de música folclórica, enfim, com o gênio de um dos principais criadores do século XX.

Os grandes compositores barrocos, clássicos e românticos combinaram qualidade com quantidade — pense nas produções de Handel, Telemann, Bach, Mozart, Haydn e Beethoven. Por outro lado, nos tempos modernos, considere o caso extremo de Anton Webern, cuja produção de toda a vida é reproduzida por pouco mais de duas horas, ou seja, cerca de metade da duração de uma ópera de Strauss ou Wagner. Apesar disso, Webern é reconhecido como uma grande influência musical na segunda metade do século XX. Pois, julgada pelos padrões dos séculos anteriores ao XX, a produção de Béla Bartók não é grande. Cabe em 29 CDs. Não é pouco, mas também não é algo caudaloso. Há seis quartetos de cordas, seis concertos, três obras de palco em um ato, quatro sonatas, três suítes e outras peças orquestrais e um grande número de pequenas obras para piano, cada uma ocupando apenas algumas folhas de partitura. Ele também escreveu uma cantata e um grande número de arranjos de canções folclóricas. Nada de sinfonias. No entanto, é consenso que Bartók é um dos  grandes compositores de nosso tempo. Isso por um único motivo, por causa da alta qualidade e originalidade de sua música.

Bartók era uma pessoa muito quieta, tímida e calma. Não gostava de ser importunado. Aliás, adorava ser importunado, mas só por crianças. Dizia-se que, quando admiradores entusiasmados se dirigiam a ele como “Mestre” ou “Maestro”, ele respondia: “Meu nome é Bartók”. Sim, seu nome é Bartók e você deveria conhecê-lo se quiser saber em que mundo está pisando.

E, se você tiver alguma dúvida sobre este último volume, ouça Evening e a Marcha Fúnebre do poema sinfônico Kossuth (versão para piano solo). Sim, ouça.

Béla Bartók (1881-1945): Three folksongs from the Csík District / Two Hungarian folksongs / Székely folksong / Four Slovakian folksongs / Petits morceaux zongorára / Four songs for voice and piano / Scherzo-fantasie for piano / “Evening” / Marche funèbre from symphonic poem “Kossuth” for piano / “Evening” for male choir #BRTK140 Vol. 29 de 29

1 Three folksongs from the Csík District for recorder and piano, Sz. 35, BB 45/a “Gyergyó”: No. 1. (Rubato)
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Emese Virágh (pianist)
recorder:
Gábor Kállay (tenor)
recording of:
Gyergyóból, tilinkóra és zongorára, Sz. 35, BB 45a: I. (Rubato)
composer:
Béla Bartók (composer) (in 1907)
part of:
Gyergyóból, tilinkóra és zongorára, Sz. 35, BB 45a
0:51

2 Three folksongs from the Csík District for recorder and piano, Sz. 35, BB 45/a “Gyergyó”: No. 2. (Poco piú mosso)
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Emese Virágh (pianist)
recorder:
Gábor Kállay (tenor)
recording of:
Gyergyóból, tilinkóra és zongorára, Sz. 35, BB 45a: II. (Poco piú mosso)
composer:
Béla Bartók (composer) (in 1907)
part of:
Gyergyóból, tilinkóra és zongorára, Sz. 35, BB 45a
1:06

3 Three folksongs from the Csík District for recorder and piano, Sz. 35, BB 45/a “Gyergyó”: No. 3. Tempo di marcia
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Emese Virágh (pianist)
recorder:
Gábor Kállay (tenor)
recording of:
Gyergyóból, tilinkóra és zongorára, Sz. 35, BB 45a: III. Tempo di marcia
composer:
Béla Bartók (composer) (in 1907)
part of:
Gyergyóból, tilinkóra és zongorára, Sz. 35, BB 45a
0:31

4 Two Hungarian folksongs for voice & piano, Sz. 33/b, BB 44: No. 1. “Édesanyám rózsafája”
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Emese Virágh (pianist)
soprano vocals:
Meláth Andrea
recording of:
Két magyar népdal: I. “Édesanyám rózsafája”
composer:
Béla Bartók (composer) (in 1907)
part of:
Két magyar népdal (Two Hungarian Folksongs), for voice and piano, Sz. 33b, BB 44
0:47

5 Two Hungarian folksongs for voice & piano, Sz. 33/b, BB 44: No. 2. “Túl vagy rózsám, túl vagy a málnás erdején”
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Emese Virágh (pianist)
soprano vocals:
Meláth Andrea
recording of:
Két magyar népdal: II. “Túl vagy rózsám, túl vagy a málnás erdején”
composer:
Béla Bartók (composer) (in 1907)
part of:
Két magyar népdal (Two Hungarian Folksongs), for voice and piano, Sz. 33b, BB 44
1:51

6 Székely folksong for voice & piano, Sz. 30, BB 34 “Négy szlovák népdal énekhangra zongorakísérettel”
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Emese Virágh (pianist)
soprano vocals:
Meláth Andrea
recording of:
Székely népdal (“Piros alma”)
composer:
Béla Bartók (composer) (in 1904)
1:44

7 Four Slovakian folksongs for voice & piano No. 1, Sz. 35/b+63/a, BB 46+73 “Bisztrói határon”
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Emese Virágh (pianist)
soprano vocals:
Meláth Andrea
recording of:
Négy szlovák népdal: I. “V tej Bystrickej bráne”
composer:
Béla Bartók (composer) (in 1907)
part of:
Négy szlovák népdal, Sz. 35b, BB 46
1:46

8 Four Slovakian folksongs for voice & piano No. 2, Sz. 35/b+63/a, BB 46+73 “Pohàební písen (Dolu dolinámi)”: “Halotti ének (Lent a völgyben mélyen)”
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Emese Virágh (pianist)
soprano vocals:
Meláth Andrea
recording of:
Négy szlovák népdal: II. “Pohřební pisen (Dolu dolinámi)”
composer:
Béla Bartók (composer) (in 1907)
part of:
Négy szlovák népdal, Sz. 35b, BB 46
2:28

9 Four Slovakian folksongs for voice & piano No. 3, Sz. 35/b+63/a, BB 46+73 “Priletel pták”
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Emese Virágh (pianist)
soprano vocals:
Meláth Andrea
recording of:
Négy szlovák népdal: III. “Priletel pták”
composer:
Béla Bartók (composer) (in 1907)
part of:
Négy szlovák népdal, Sz. 35b, BB 46
2:51

10 Four Slovakian folksongs for voice & piano No. 4, Sz. 63/a, BB 73 “Krutí Tono vretena”
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Emese Virágh (pianist)
soprano vocals:
Meláth Andrea
recording of:
Négy szlovák népdal: IV. “Krutí Tono vretena”
composer:
Béla Bartók (composer) (in 1916)
part of:
Négy szlovák népdal, Sz. 35b, BB 46
0:49

11 Petits morceaux zongorára voice & piano, Sz. 29, BB 38 “Orsót pörget Tónika”: I. Adagio
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Kassai István
recording of:
Petits morceaux: I. Adagio
composer:
Béla Bartók (composer) (in 1905)
part of:
Petits morceaux
2:30

12 Petits morceaux zongorára voice & piano, Sz. 29, BB 38 “Orsót pörget Tónika”: II. Moderato
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Kassai István
recording of:
Petits morceaux: II. Moderato
composer:
Béla Bartók (composer) (in 1905)
version of:
Négy dal Pósa Lajos szövegeire: I. “Őszi szellő”part of:
Petits morceaux
1:09

13 Four songs for voice and piano No. 1, BB 24, DD 67 “Õszi szellõ”
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Emese Virágh (pianist)
soprano vocals:
Meláth Andrea
recording of:
Négy dal Pósa Lajos szövegeire: I. “Őszi szellő”
lyricist:
Pósa Lajos
composer:
Béla Bartók (composer) (in 1902)
part of:
Négy dal Pósa Lajos szövegeire, Sz. 15, BB 24, DD 67
1:14

14 Four songs for voice and piano No. 2, BB 24, DD 67 “Még azt vetik a szememre”
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Emese Virágh (pianist)
soprano vocals:
Meláth Andrea
recording of:
Négy dal Pósa Lajos szövegeire: II. “Még azt vetik a szememre”
lyricist:
Pósa Lajos
composer:
Béla Bartók (composer) (in 1902)
part of:
Négy dal Pósa Lajos szövegeire, Sz. 15, BB 24, DD 67
0:53

15 Four songs for voice and piano No. 3, BB 24, DD 67 “Nincs olyan bú”
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Emese Virágh (pianist)
soprano vocals:
Meláth Andrea
recording of:
Négy dal Pósa Lajos szövegeire: III. “Nincs olyan bú”
lyricist:
Pósa Lajos
composer:
Béla Bartók (composer) (in 1902)
part of:
Négy dal Pósa Lajos szövegeire, Sz. 15, BB 24, DD 67
1:47

16 Four songs for voice and piano No. 4, BB 24, DD 67 “Ejnye, ejnye”
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Emese Virágh (pianist)
soprano vocals:
Meláth Andrea
recording of:
Négy dal Pósa Lajos szövegeire: IV. “Ejnye, ejnye”
lyricist:
Pósa Lajos
composer:
Béla Bartók (composer) (in 1902)
part of:
Négy dal Pósa Lajos szövegeire, Sz. 15, BB 24, DD 67
1:00

17 Scherzo-fantasie for piano in B major, BB 11, DD 50
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Kassai István
recording of:
Scherzo or Fantasie, Sz. 8, BB 11, DD 50
composer:
Béla Bartók (composer) (in 1897)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 8) and Béla Bartók’s Works (BB) (number: BB 11)
4:57

18 “Evening” for voice and piano, BB 29, DD 73
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Emese Virágh (pianist)
soprano vocals:
Meláth Andrea
recording of:
Est, BB 29, DD 74 (for voice and piano)
lyricist:
Harsányi Kalman
composer:
Béla Bartók (composer) (in 1903)
part of:
Béla Bartók’s Works (BB) (number: BB 29)
3:46

19 Marche funèbre from symphonic poem “Kossuth” for piano, BB 31, DD 75/b
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Kassai István
recording of:
Marcia funèbre from Kossuth, Sz. 21, BB 31, DD 75b (for piano)
composer:
Béla Bartók (composer) (in 1903)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 21) and Béla Bartók’s Works (BB) (number: BB 31)
version of:
Kossuth: IX. Mindennek vége
5:21

20 “Evening” for male choir, BB 30, DD 74
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
choir vocals:
Honvéd Együttes férfikara
chorus master:
Tóth András
recording of:
Est, Sz. 19, BB 30, DD 74 (for male choir)
lyricist:
Harsányi Kalman
composer:
Béla Bartók (composer) (in 1903)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 19) and Béla Bartók’s Works (BB) (number: BB 30)
version of:
Est, BB 29, DD 74 (for voice and piano)
3:32

BAIXE AQUI — DOWNLOAD HERE

PQP

Aqui, toda a coleção.

Se o volume 27 foi apenas razoável, este é excelente, principalmente em razão da presença dos 27 Corais para crianças e coro feminino que finalizam este belo CD. Eles foram compostos durante um surto de criatividade no verão de 1935. Segundo o amigo de Bartók e compositor Zoltán Kodály, Bartók precisava de algum incentivo para escrever música coral, o que Kodály forneceu. Kodály também revelou que, antes de compor os corais, Bartók havia se apaixonado pela música do compositor renascentista Giovanni Pierluigi da Palestrina. Impulsionado por Kodály e inspirado por Palestrina, Bartók produziu os Vinte e Sete Corais para vozes agudas.

Os textos para esses corais foram extraídos de canções folclóricas húngaras, como seria de esperar, dadas as predileções etnomusicológicas de Bartók, embora aqui a música seja menos retirada de expressões populares do que em obras anteriores. Talvez o mais interessante sobre os textos corais é que Bartók removeu palavras, frases e versos inteiros dos textos folclóricos originais, em alguns casos substituindo-os por textos próprios a fim de aperfeiçoar o ritmo e o acento métrico dos versos. Assim, Bartók criou não apenas uma obra musical a partir de textos folclóricos, mas também poliu os textos originais. Sua música frequentemente borrava os limites entre a música folclórica e a linguagem mais abstrata. A linguagem musical dos corais é predominantemente diatônica e as harmonias são predominantemente triádicas. Às vezes elas criam confrontos duros e dissonâncias inesperadas. Os corais foram escritos em duas e três partes para coro feminino e infantil: oito dos corais são para vozes femininas, os restantes dezenove para coro infantil. Bartók posteriormente dividiu as peças em volumes de três ou quatro peças cada. Embora não tenha sido projetado especificamente como um ciclo de canções, o trabalho é frequentemente executado como um conjunto completo.

Embora as canções folclóricas húngaras forneçam o material de base para este trabalho, a influência de Palestrina e da polifonia renascentista não deve ser esquecida. A predileção de Bartók por Palestrina é evidente na textura contrapontística fortemente tecida e na imitação e fugas generalizadas nos corais. Bartók também usa esse estilo contrapontístico anacrônico e diatônico para acentuar as dissonâncias: no contexto de passagens muito tonais, os choques dissonantes entre vozes em contraponto são poderosamente ampliados. No entanto, embora os corais sejam exemplos magistrais de escrita polifônica, eles também são muito acessíveis tanto para corais quanto para o público. Bartók tomou muito cuidado para compor uma música que não fosse muito difícil de executar, mas sua expressividade tornam os 27 Corais uma obra memorável e importante.

Ah, o Gyõr Girls’ Choir é sensacional!

Béla Bartók (1881-1945): Old Hungarian folksongs for four-part male choir / Székely songs for six-part male choir / “From Olden Times” for three-part male choir / Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra) (Hungarian Army Male Chorus / Gyõr Girls’ Choir) #BRTK140 Vol. 28 de 29

1 Old Hungarian folksongs for four-part male choir, Sz. 50, BB 60: No. 1. “Rég megmondtam bús gerlice”
choir vocals:
Hungarian Army Male Chorus
recording of:
Old Hungarian folksongs for four-part male choir, Sz. 50, BB 60: No. 1. “Rég megmondtam bús gerlice”
composer:
Béla Bartók (composer)
part of:
Old Hungarian folksongs for four-part male choir, Sz. 50, BB 60
1:32

2 Old Hungarian folksongs for four-part male choir, Sz. 50, BB 60: No. 2. “Jaj Istenem! kire várok”
choir vocals:
Hungarian Army Male Chorus
recording of:
Old Hungarian folksongs for four-part male choir, Sz. 50, BB 60: No. 2. “Jaj Istenem! kire várok”
composer:
Béla Bartók (composer)
part of:
Old Hungarian folksongs for four-part male choir, Sz. 50, BB 60
0:36

3 Old Hungarian folksongs for four-part male choir, Sz. 50, BB 60: No. 3. “Ángyomasszony kertje”
choir vocals:
Hungarian Army Male Chorus
recording of:
Old Hungarian folksongs for four-part male choir, Sz. 50, BB 60: No. 3. “Ángyomasszony kertje”
composer:
Béla Bartók (composer)
part of:
Old Hungarian folksongs for four-part male choir, Sz. 50, BB 60
0:52

4 Old Hungarian folksongs for four-part male choir, Sz. 50, BB 60: No. 4. “Béreslegény, jól megrakd a szekeret”
choir vocals:
Hungarian Army Male Chorus
recording of:
Old Hungarian folksongs for four-part male choir, Sz. 50, BB 60: No. 4. “Béreslegény, jól megrakd a szekeret”
composer:
Béla Bartók (composer)
part of:
Old Hungarian folksongs for four-part male choir, Sz. 50, BB 60
0:57

5 Székely songs for six-part male choir, Sz. 99, BB 106: No. 1. “Hej, de sokszor megbántottál”
choir vocals:
Hungarian Army Male Chorus
recording of:
Székely songs for six-part male choir, Sz. 99, BB 106: No. 1. “Hej, de sokszor megbántottál”
composer:
Béla Bartók (composer)
part of:
Székely songs for six-part male choir, Sz. 99, BB 106
4:57

6 Székely songs for six-part male choir, Sz. 99, BB 106: No. 2. “Istenem, életem”
choir vocals:
Hungarian Army Male Chorus
recording of:
Székely songs for six-part male choir, Sz. 99, BB 106: No. 2. “Istenem, életem”
composer:
Béla Bartók (composer)
part of:
Székely songs for six-part male choir, Sz. 99, BB 106
2:00

7 Székely songs for six-part male choir, Sz. 99, BB 106: No. 3. “Vékony cérna, kemény mag”
choir vocals:
Hungarian Army Male Chorus
recording of:
Székely songs for six-part male choir, Sz. 99, BB 106: No. 3. “Vékony cérna, kemény mag”
composer:
Béla Bartók (composer)
part of:
Székely songs for six-part male choir, Sz. 99, BB 106
1:03

8 Székely songs for six-part male choir, Sz. 99, BB 106: No. 4. “Kilyénfalvi közeptizbe”
choir vocals:
Hungarian Army Male Chorus
recording of:
Székely songs for six-part male choir, Sz. 99, BB 106: No. 4. “Kilyénfalvi közeptizbe”
composer:
Béla Bartók (composer)
part of:
Székely songs for six-part male choir, Sz. 99, BB 106
0:52

9 Székely songs for six-part male choir, Sz. 99, BB 106: No. 5. “Vékony cérna, kemény mag”
choir vocals:
Hungarian Army Male Chorus
recording of:
Székely songs for six-part male choir, Sz. 99, BB 106: No. 5. “Vékony cérna, kemény mag”
composer:
Béla Bartók (composer)
part of:
Székely songs for six-part male choir, Sz. 99, BB 106
0:29

10 Székely songs for six-part male choir, Sz. 99, BB 106: No. 6. “Járjad pap a táncot”
choir vocals:
Hungarian Army Male Chorus
recording of:
Székely songs for six-part male choir, Sz. 99, BB 106: No. 6. “Járjad pap a táncot”
composer:
Béla Bartók (composer)
part of:
Székely songs for six-part male choir, Sz. 99, BB 106
1:21

11 “From Olden Times” for three-part male choir, Sz. 104, BB 112: No. 1. “Nincs boldogtalanabb”
recording of:
“From Olden Times” for three-part male choir, Sz. 104, BB 112: No. 1. “Nincs boldogtalanabb”
composer:
Béla Bartók (composer)
6:39

12 “From Olden Times” for three-part male choir, Sz. 104, BB 112: No. 2. “Egy, kettõ, három, négy”
recording of:
“From Olden Times” for three-part male choir, Sz. 104, BB 112: No. 2. “Egy, kettõ, három, négy”
composer:
Béla Bartók (composer)
2:39

13 “From Olden Times” for three-part male choir, Sz. 104, BB 112: No. 3. “Nincsen szerencsésebb”
recording of:
“From Olden Times” for three-part male choir, Sz. 104, BB 112: No. 3. “Nincsen szerencsésebb”
composer:
Béla Bartók (composer)
6:49

14 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume I, No. 1. “Tavasz”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume I, No. 1. “Tavasz”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
2:13

15 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume I, No. 2. “Ne hagyj itt!”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume I, No. 2. “Ne hagyj itt!”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
1:54

16 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume I, No. 3. “Jószágigézõ”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume I, No. 3. “Jószágigézõ”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
1:24

17 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume II, No. 1. “Levél az otthoniakhoz”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume II, No. 1. “Levél az otthoniakhoz”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
2:05

18 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume II, No. 2. “Játék”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume II, No. 2. “Játék”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
0:45

19 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume II, No. 3. “Leánynézõ”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume II, No. 3. “Leánynézõ”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
1:13

20 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume II, No. 4. “Héjja, héjja, karahéjja”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume II, No. 4. “Héjja, héjja, karahéjja”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
0:53

21 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume III, No. 1. “Ne menj el”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume III, No. 1. “Ne menj el”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
1:31

22 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume III, No. 2. “Van egy gyûrûm, karika”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume III, No. 2. “Van egy gyûrûm, karika”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
1:08

23 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume III, No. 3. “Senkim a világon”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume III, No. 3. “Senkim a világon”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
1:24

24 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume III, No. 4. “Cipósütés”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume III, No. 4. “Cipósütés”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
2:05

25 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume IV, No. 1. “Huszárnóta”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume IV, No. 1. “Huszárnóta”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
1:45

26 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume IV, No. 2. “Resteknek nótája”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume IV, No. 2. “Resteknek nótája”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
0:41

27 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume IV, No. 3. “Senkim a világon”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume IV, No. 3. “Senkim a világon”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
1:50

28 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume IV, No. 4. “Leánycsúfoló”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume IV, No. 4. “Leánycsúfoló”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
1:33

29 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume V, No. 1. “Legénycsúfoló”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume V, No. 1. “Legénycsúfoló”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
1:04

30 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume V, No. 2. “Mihálynapi köszöntõ”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume V, No. 2. “Mihálynapi köszöntõ”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
3:01

31 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume V, No. 3. “Leánykérõ”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume V, No. 3. “Leánykérõ”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
1:45

32 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VI, No. 1. “Keserves”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VI, No. 1. “Keserves”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
1:57

33 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VI, No. 2. “Madárdal”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VI, No. 2. “Madárdal”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
1:31

34 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VI, No. 3. “Csujogató”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VI, No. 3. “Csujogató”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
1:19

35 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VII, No. 1. “Bánat”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VII, No. 1. “Bánat”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
1:35

36 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VII, No. 2. “Ne láttalak volna”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VII, No. 2. “Ne láttalak volna”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
2:24

37 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VII, No. 3. “Elment a madárka”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VII, No. 3. “Elment a madárka”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
1:20

38 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VIII, No. 1. “Párnás táncdal”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VIII, No. 1. “Párnás táncdal”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
2:57

39 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VIII, No. 2. “Kánon”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VIII, No. 2. “Kánon”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
0:58

40 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VIII, No. 3. “Isten veled!”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VIII, No. 3. “Isten veled!”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
2:39

BAIXE AQUI — DOWNLOAD HERE

PQP

Aqui, toda a coleção.

Ouvi atentamente todos os 27 CDs até aqui, é claro, e creio que este seja o mais fraco de todos. As únicas obras que me deixaram feliz foram as obras finais para coro misto ou masculino. As peças destas coleções são arranjos de melodias recolhidas pelo compositor, muitas delas preservadas em fonogramas originais e transcrições. O processo de arranjar essas melodias pode ser entendido como um laboratório criativo em que o compositor começou a forjar técnicas composicionais que resultariam, mais adiante, em processos mais pessoais e complexos de sua própria lavra.

Béla Bartók (1881-1945): Hungarian folksong for voice & piano / Five songs for voice & piano / Five songs on poems by Endre Ady for voice & piano / Progressive pieces for voice and piano / Village scenes for female voice & piano / Slovak folksongs for four-part male choir / Hungarian folksongs for mixed choir (Hajdu / Török / Fellegi / Kovács / Lantos / Sziklay / Hungarian Army Male Chorus / Holásek / Slovak Philharmonic Chorus) #BRTK140 Vol. 27 de 29

1 Hungarian folksong for voice & piano, Sz. 109, BB 109 “Debrecennek van egy vize”
piano:
István Hajdu (pianist)
soprano vocals:
Erzsébet Török
recording of:
Hungarian folksong for voice & piano, Sz. 109 “Debrecennek van egy vize”
composer:
Béla Bartók (composer)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 109)
2:17

2 Five songs for voice & piano, Sz. 61, BB 71 (Op. 15): No. 1. “Tavasz: Az én szerelmem”
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Five songs for voice & orchestra, Sz. 61, BB 71 (Op.15): No. 1, “Tavasz: Az en szerelmem”
composer:
Béla Bartók (composer)
part of:
Five songs for voice & orchestra, Sz. 61, BB 71, op. 15
2:05

3 Five songs for voice & piano, Sz. 61, BB 71 (Op. 15): No. 2. “Nyár: Szomjasan vágyva”
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Five songs for voice & orchestra, Sz. 61, BB 71 (Op.15): No. 2, “Nyar: Szomjasan vagyva”
composer:
Béla Bartók (composer)
part of:
Five songs for voice & orchestra, Sz. 61, BB 71, op. 15
2:15

4 Five songs for voice & piano, Sz. 61, BB 71 (Op. 15): No. 3. “A vágyak éjjele”
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Five songs for voice & orchestra, Sz. 61, BB 71 (Op.15): No. 3, “A vagyak ejjele”
composer:
Béla Bartók (composer)
part of:
Five songs for voice & orchestra, Sz. 61, BB 71, op. 15
4:15

5 Five songs for voice & piano, Sz. 61, BB 71 (Op. 15): No. 4. “Tél: Színes álomban”
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Five songs for voice & orchestra, Sz. 61, BB 71 (Op.15): No. 4, “Tel: Szines almoban”
composer:
Béla Bartók (composer)
part of:
Five songs for voice & orchestra, Sz. 61, BB 71, op. 15
3:27

6 Five songs for voice & piano, Sz. 61, BB 71 (Op. 15): No. 5. “Õsz: Itt lent a völgyben”
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Five songs for voice & orchestra, Sz. 61, BB 71 (Op.15): No. 5, “Osz: Itt lent a volgyben”
composer:
Béla Bartók (composer)
part of:
Five songs for voice & orchestra, Sz. 61, BB 71, op. 15
3:07

7 Five songs on poems by Endre Ady for voice & piano, Sz. 63, BB 72 (Op. 16): No. 1. “Három õszi könnycsepp”
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Five songs on poems by Endre Ady for voice & piano, Sz. 63, BB 72 (Op. 16): No. 1. “Három õszi könnycsepp”
composer:
Béla Bartók (composer)
part of:
Five songs on poems by Endre Ady for voice & piano, Sz. 63, BB 72, op. 16
2:00

8 Five songs on poems by Endre Ady for voice & piano, Sz. 63, BB 72 (Op. 16): No. 2. “Az õszi lárma”
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Five songs on poems by Endre Ady for voice & piano, Sz. 63, BB 72 (Op. 16): No. 2. “Az õszi lárma”
composer:
Béla Bartók (composer)
part of:
Five songs on poems by Endre Ady for voice & piano, Sz. 63, BB 72, op. 16
3:16

9 Five songs on poems by Endre Ady for voice & piano, Sz. 63, BB 72 (Op. 16): No. 3. “Az ágyam hívogat”
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Five songs on poems by Endre Ady for voice & piano, Sz. 63, BB 72 (Op. 16): No. 3. “Az ágyam hívogat”
composer:
Béla Bartók (composer)
part of:
Five songs on poems by Endre Ady for voice & piano, Sz. 63, BB 72, op. 16
4:27

10 Five songs on poems by Endre Ady for voice & piano, Sz. 63, BB 72 (Op. 16): No. 4. “Egyedül a tengerrel”
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Five songs on poems by Endre Ady for voice & piano, Sz. 63, BB 72 (Op. 16): No. 4. “Egyedül a tengerrel”
composer:
Béla Bartók (composer)
part of:
Five songs on poems by Endre Ady for voice & piano, Sz. 63, BB 72, op. 16
4:13

11 Five songs on poems by Endre Ady for voice & piano, Sz. 63, BB 72 (Op. 16): No. 5. “Nem mehetek hozzád”
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Five songs on poems by Endre Ady for voice & piano, Sz. 63, BB 72 (Op. 16): No. 5. “Nem mehetek hozzád”
composer:
Béla Bartók (composer)
part of:
Five songs on poems by Endre Ady for voice & piano, Sz. 63, BB 72, op. 16
3:17

12 Progressive pieces for piano, Sz. 107/2, BB 105/37–66 “Mikrokosmos”: Volume 2. Párbeszéd
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
0:32

13 Progressive pieces for piano, Sz. 107/3, BB 105/67–96 “Mikrokosmos”: Volume 3: Magyar párosító III
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
0:38

14 Progressive pieces for piano, Sz. 107/3, BB 105/67–96 “Mikrokosmos”: Volume 3: Rókadal III
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
0:40

15 Progressive pieces for piano, Sz. 107/5, BB 105/122–139 “Mikrokosmos”: Volume 5: Új magyar népdal V
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
1:07

16 Village scenes for female voice & piano, Sz. 78, BB 87/a: I. Szénagyûjtéskor. “Ej! hrabajze len”
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Village scenes for female voice & piano, Sz. 78, BB 87/a: I. Szénagyûjtéskor. “Ej! hrabajze len”
composer:
Béla Bartók (composer)
part of:
Village scenes for female voice & piano, Sz. 78, BB 87a
1:07

17 Village scenes for female voice & piano, Sz. 78, BB 87/a: II. A menyasszonynál. “Letia pavy, letia”
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Village scenes for female voice & piano, Sz. 78, BB 87/a: II. A menyasszonynál. “Letia pavy, letia”
composer:
Béla Bartók (composer)
part of:
Village scenes for female voice & piano, Sz. 78, BB 87a
1:26

18 Village scenes for female voice & piano, Sz. 78, BB 87/a: III. Lakodalom. “A ty Anca krásna”
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Village scenes for female voice & piano, Sz. 78, BB 87/a: III. Lakodalom. “A ty Anca krásna”
composer:
Béla Bartók (composer)
part of:
Village scenes for female voice & piano, Sz. 78, BB 87a
2:48

19 Village scenes for female voice & piano, Sz. 78, BB 87/a: IV. Bölcsõdal. “Beli zemi, beli”
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Village scenes for female voice & piano, Sz. 78, BB 87/a: IV. Bölcsõdal. “Beli zemi, beli”
composer:
Béla Bartók (composer)
part of:
Village scenes for female voice & piano, Sz. 78, BB 87a
4:34

20 Village scenes for female voice & piano, Sz. 78, BB 87/a: V. Legénytánc. “Poza búcky, poza pen”
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Village scenes for female voice & piano, Sz. 78, BB 87/a: V. Legénytánc. “Poza búcky, poza pen”
composer:
Béla Bartók (composer)
part of:
Village scenes for female voice & piano, Sz. 78, BB 87a
1:54

21 Slovak folksongs for four-part male choir, Sz. 69, BB 77: No. 1. Andante assai parlando. “Hej, kedves jó pajtásim”
choir vocals:
Hungarian Army Male Chorus
recording of:
Slovak folksongs for four-part male choir, Sz. 69, BB 77: No. 1. Andante assai parlando. “Hej, kedves jó pajtásim”
composer:
Béla Bartók (composer)
part of:
Slovak folksongs for four-part male choir, Sz. 69, BB 77
1:11

22 Slovak folksongs for four-part male choir, Sz. 69, BB 77: No. 2. Allegretto. “Ha a háborúba kell indulnom. Ked’ ja smutny pojdem”
choir vocals:
Hungarian Army Male Chorus
recording of:
Slovak folksongs for four-part male choir, Sz. 69, BB 77: No. 2. Allegretto. “Ha a háborúba kell indulnom. Ked’ ja smutny pojdem”
composer:
Béla Bartók (composer)
part of:
Slovak folksongs for four-part male choir, Sz. 69, BB 77
0:29

23 Slovak folksongs for four-part male choir, Sz. 69, BB 77: No. 3. Allegro risoluto. “Gyerünk pajtás, gyerünk. Kamarádi mojí”
choir vocals:
Hungarian Army Male Chorus
recording of:
Slovak folksongs for four-part male choir, Sz. 69, BB 77: No. 3. Allegro risoluto. “Gyerünk pajtás, gyerünk. Kamarádi mojí”
composer:
Béla Bartók (composer)
part of:
Slovak folksongs for four-part male choir, Sz. 69, BB 77
0:37

24 Slovak folksongs for four-part male choir, Sz. 69, BB 77: No. 4. Andante assai, parlando. “Hej, hogyha majd elesem. Ej, a ked’ mna zabiju”
choir vocals:
Hungarian Army Male Chorus
recording of:
Slovak folksongs for four-part male choir, Sz. 69, BB 77: No. 4. Andante assai, parlando. “Hej, hogyha majd elesem. Ej, a ked’ mna zabiju”
composer:
Béla Bartók (composer)
part of:
Slovak folksongs for four-part male choir, Sz. 69, BB 77
1:20

25 Slovak folksongs for four-part male choir, Sz. 69, BB 77: No. 5. Allegretto. “Csatába indultam. Ked’ som siou na vojnu”
choir vocals:
Hungarian Army Male Chorus
recording of:
Slovak folksongs for four-part male choir, Sz. 69, BB 77: No. 5. Allegretto. “Csatába indultam. Ked’ som siou na vojnu”
composer:
Béla Bartók (composer)
part of:
Slovak folksongs for four-part male choir, Sz. 69, BB 77
1:12

26 Slovak folksongs for four-part choir & piano, Sz. 70, BB 78: No. 1. Andante. “Lányát az anya férjhez úgy adta. Zadala mamka”
piano:
Ladislav Holásek
choir vocals:
Slovak Philharmonic Chorus
recording of:
Négy tót népdal: 1. Lányát az anya
composer:
Béla Bartók (composer) (in 1916)
part of:
Négy tót népdal (Slovak folksongs) for four-part choir & piano, Sz. 70, BB 78
3:25

27 Slovak folksongs for four-part choir & piano, Sz. 70, BB 78: No. 2. Andante. “Havasi legelõn. Na holi, na holi”
piano:
Ladislav Holásek
choir vocals:
Slovak Philharmonic Chorus
recording of:
Négy tót népdal: 2. Havasi legelőn
composer:
Béla Bartók (composer) (in 1916)
part of:
Négy tót népdal (Slovak folksongs) for four-part choir & piano, Sz. 70, BB 78
0:42

28 Slovak folksongs for four-part choir & piano, Sz. 70, BB 78: No. 3. Allegro. Medzibrod: “Enni, inni van csak kedved. Rada pila, rada jedla”
piano:
Ladislav Holásek
choir vocals:
Slovak Philharmonic Chorus
recording of:
Négy tót népdal: 3. Enni, inni van csak kedved
composer:
Béla Bartók (composer) (in 1916)
part of:
Négy tót népdal (Slovak folksongs) for four-part choir & piano, Sz. 70, BB 78
0:34

29 Slovak folksongs for four-part choir & piano, Sz. 70, BB 78: No. 4. Allegro moderato. “Szóljon a duda már. Gajdujte, gajdence”
piano:
Ladislav Holásek
choir vocals:
Slovak Philharmonic Chorus
recording of:
Négy tót népdal: 4. Szóljon a duda már
composer:
Béla Bartók (composer) (in 1916)
part of:
Négy tót népdal (Slovak folksongs) for four-part choir & piano, Sz. 70, BB 78
0:39

30 Hungarian folksongs for mixed choir, Sz. 93, BB 99: No. 1 A rab
choir vocals:
Slovak Philharmonic Chorus
recording of:
Magyar népdalok: 1. A rab
composer:
Béla Bartók (composer) (in 1930)
part of:
Magyar népdalok (Hungarian folksongs) for mixed choir, Sz. 93, BB 99
2:52

31 Hungarian folksongs for mixed choir, Sz. 93, BB 99: No. 2. A bújdosó
choir vocals:
Slovak Philharmonic Chorus
recording of:
Magyar népdalok: 2. A bujdosó
composer:
Béla Bartók (composer) (in 1930)
part of:
Magyar népdalok (Hungarian folksongs) for mixed choir, Sz. 93, BB 99
4:27

32 Hungarian folksongs for mixed choir, Sz. 93, BB 99: No. 3. Az eladó lány
choir vocals:
Slovak Philharmonic Chorus
recording of:
Magyar népdalok: 3. Az eladó lány
composer:
Béla Bartók (composer) (in 1930)
part of:
Magyar népdalok (Hungarian folksongs) for mixed choir, Sz. 93, BB 99
1:35

33 Hungarian folksongs for mixed choir, Sz. 93, BB 99: No. 4. Dal
choir vocals:
Slovak Philharmonic Chorus
recording of:
Magyar népdalok: 4. Dal
composer:
Béla Bartók (composer) (in 1930)
part of:
Magyar népdalok (Hungarian folksongs) for mixed choir, Sz. 93, BB 99

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Aqui, toda a coleção.

O que dizer das cantoras deste CD? Céus, todas elas são esplêndidas! Mesmo que não fosse Bartók, valeria a pena ouvi-las. Bem, Bartók arranjou ciclos de canções folclóricas durante praticamente toda sua vida ativa. Aqui temos ciclos escritos entre 1906 e 1907, assim como em 1917 e 1929. Em 1905, em uma carta dirigida a sua irmã, o compositor afirmou: “Tenho agora um novo plano: irei coletar as mais belas canções folclóricas húngaras e as elevarei ao nível de canções artísticas por ornamentá-las com o melhor acompanhamento pianístico possível.” Em 1905, o compositor empreendeu sua primeira viagem de estudos folclóricos, auxiliado pelo também compositor e amigo pessoal Zoltán Kodály. No começo destes estudos Bartók tomava foco somente no aspecto musical do material recolhido (ou seja, sua possibilidade de uso como material para composição) e restringiu a coleta a territórios de fala húngara. Mais tarde se deu conta do potencial científico do trabalho que estava realizando e o estendeu também a territórios com populações eslovacas e romenas. Este material folclórico se caracterizava por ser musicalmente baseado em antigos modos eclesiásticos, gregos e pentatônicos. Bartók afirmava que conhecer este repertório foi essencial no desenvolvimento de sua estética por “liberá-lo do jugo tirânico das tonalidades maiores e menores” e “levá-lo a uma nova concepção da escala cromática, em que todos os tons poderiam ser considerados de igual valor e utilizados de forma livre e independente.” Esta visão aproxima a estética de Bartók do conceito de Emancipação da Dissonância, paralelamente explorado por Arnold Schoenberg.

Béla Bartók (1881-1945): Hungarian folksongs for voice & piano / Eight Hungarian folksongs for voice & piano / Twenty Hungarian folksongs for voice & piano (Kovács, Fellegi, Sziklay, Lantos) #BRTK140 Vol. 26 de 29

1 Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 1. Elindultam szép hazámbul
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 1. Elindultam szép hazámbul
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 1, Sz. 33, BB 42
0:50

2 Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 2. Által mennék én a Tiszán ladikon
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 2. Által mennék én a Tiszán ladikon
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 1, Sz. 33, BB 42
0:40

3 Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 3. Fehér László lovat lopott
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 3. Fehér László lovat lopott
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 1, Sz. 33, BB 42
2:43

4 Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 4. A gyulai kert alatt
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 4. A gyulai kert alatt
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 1, Sz. 33, BB 42
0:46

5 Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 5. A kertmegi kert alatt
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 5. A kertmegi kert alatt
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 1, Sz. 33, BB 42
0:26

6 Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 6. Ablakomba, ablakomba
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 6. Ablakomba, ablakomba
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 1, Sz. 33, BB 42
0:52

7 Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 7. Száraz ágtól messze virít
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 7. Száraz ágtól messze virít
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 1, Sz. 33, BB 42
1:41

8 Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 8. Végig mentem a tárkányi
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 8. Végig mentem a tárkányi
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 1, Sz. 33, BB 42
0:33

9 Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 9. Nem messze van ide kis Margitta
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 9. Nem messze van ide kis Margitta
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 1, Sz. 33, BB 42
3:23

10 Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 10. Szánt a babám csireg, csörög
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 10. Szánt a babám csireg, csörög
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 1, Sz. 33, BB 42
0:43

11 Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 1. Tiszán innen, Tiszán túl
piano:
Loránt Szücs
soprano vocals:
Terézia Csajbók
recording of:
Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 1. Tiszán innen, Tiszán túl
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 2, Sz. 33a, BB 43
2:16

12 Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 2. Erdõk, völgyek, szûk ligetek
piano:
Loránt Szücs
soprano vocals:
Terézia Csajbók
recording of:
Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 2. Erdõk, völgyek, szûk ligetek
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 2, Sz. 33a, BB 43
2:12

13 Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 3. Olvad a hó
piano:
Loránt Szücs
soprano vocals:
Terézia Csajbók
recording of:
Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 3. Olvad a hó
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 2, Sz. 33a, BB 43
1:34

14 Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 4. Ha bemegyek a csárdába
piano:
Loránt Szücs
soprano vocals:
Terézia Csajbók
recording of:
Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 4. Ha bemegyek a csárdába
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 2, Sz. 33a, BB 43
1:52

15 Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 5. Fehér László lovat lopott
piano:
Loránt Szücs
soprano vocals:
Terézia Csajbók
recording of:
Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 5. Fehér László lovat lopott
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 2, Sz. 33a, BB 43
2:04

16 Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 6. Megittam a piros bort
piano:
Loránt Szücs
soprano vocals:
Terézia Csajbók
recording of:
Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 6. Megittam a piros bort
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 2, Sz. 33a, BB 43
0:39

17 Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 7. Ez a kislány gyöngyöt fûz
piano:
Loránt Szücs
soprano vocals:
Terézia Csajbók
recording of:
Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 7. Ez a kislány gyöngyöt fûz
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 2, Sz. 33a, BB 43
0:59

18 Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 8. Sej, mikor engem katonának visznek
piano:
Loránt Szücs
soprano vocals:
Terézia Csajbók
recording of:
Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 8. Sej, mikor engem katonának visznek
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 2, Sz. 33a, BB 43
1:14

19 Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 9. Még azt mondják
piano:
Loránt Szücs
soprano vocals:
Terézia Csajbók
recording of:
Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 9. Még azt mondják
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 2, Sz. 33a, BB 43
0:53

20 Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 10. Kis kece lányom
piano:
Loránt Szücs
soprano vocals:
Terézia Csajbók
recording of:
Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 10. Kis kece lányom
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 2, Sz. 33a, BB 43
1:18

21 Eight Hungarian folksongs for voice & piano, Sz. 64, BB 47: I. Adagio. Fekete fõd
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Eight Hungarian Folksongs: No. 1. Fekete főd, fehér az én zsebkendőm
composer:
Béla Bartók (composer) (in 1907)
part of:
Eight Hungarian Folksongs
1:26

22 Eight Hungarian folksongs for voice & piano, Sz. 64, BB 47: II. Andante. Istenem, Istenem
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Eight Hungarian Folksongs: No. 2. Istenem, Istenem, áraszd meg a vizet
composer:
Béla Bartók (composer) (in 1907)
part of:
Eight Hungarian Folksongs
1:12

23 Eight Hungarian folksongs for voice & piano, Sz. 64, BB 47: III. Allegretto. Asszonyok, asszonyok
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Eight Hungarian Folksongs: No. 3. Asszonyok, asszonyok, had’ legyek társatok
composer:
Béla Bartók (composer) (in 1907)
part of:
Eight Hungarian Folksongs
0:56

24 Eight Hungarian folksongs for voice & piano, Sz. 64, BB 47: IV. Sostenuto, rubato. Annyi bánat
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Eight Hungarian Folksongs: No. 4. Annyi bánat a szívemen
composer:
Béla Bartók (composer) (in 1907)
part of:
Eight Hungarian Folksongs
1:06

25 Eight Hungarian folksongs for voice & piano, Sz. 64, BB 47: V. Allegro. Ha kimegyek
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Eight Hungarian Folksongs: No. 5. Ha kimegyek arr’ a magos tetőre
composer:
Béla Bartók (composer) (in 1907)
part of:
Eight Hungarian Folksongs
1:09

26 Eight Hungarian folksongs for voice & piano, Sz. 64, BB 47: VI. Sostenuto. Töltik a nagyerdõ
útját
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Eight Hungarian Folksongs: No. 6. Töltik a nagyerdő útját
composer:
Béla Bartók (composer) (in 1917)
part of:
Eight Hungarian Folksongs
1:35

27 Eight Hungarian folksongs for voice & piano, Sz. 64, BB 47: VII. Sostenuto. Eddig való dolgom
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Eight Hungarian Folksongs: No. 7. Eddig való dolgom a tavaszi szántás
composer:
Béla Bartók (composer) (in 1917)
part of:
Eight Hungarian Folksongs
1:48

28 Eight Hungarian folksongs for voice & piano, Sz. 64, BB 47: VIII. Allegro moderato. Olvad a hó
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Eight Hungarian Folksongs: No. 8. Olvad a hó, csárdás kis angyalom
composer:
Béla Bartók (composer) (in 1917)
part of:
Eight Hungarian Folksongs
1:03

Sad Songs:
29 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 1: Szomorú nóták, No. 1. A tömlöcben
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 1: Szomorú nóták, No. 1. A tömlöcben
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
3:52

30 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 1: Szomorú nóták, No. 2. Régi keserves
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 1: Szomorú nóták, No. 2. Régi keserves
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
2:32

31 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 1: Szomorú nóták, No. 3. Bujdosó ének
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 1: Szomorú nóták, No. 3. Bujdosó ének
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
2:08

32 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 1: Szomorú nóták, No. 4. Pásztornóta
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 1: Szomorú nóták, No. 4. Pásztornóta
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
1:52

Dancing Songs:
33 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 2: Táncdalok, No. 5. Székely lassú
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 2: Táncdalok, No. 5. Székely lassú
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
2:39

34 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 2: Táncdalok, No. 6. Székely friss
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 2: Táncdalok, No. 6. Székely friss
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
1:11

35 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 2: Táncdalok, No. 7. Kanásztánc
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 2: Táncdalok, No. 7. Kanásztánc
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
1:47

36 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 2: Táncdalok, No. 8. Hatforintos nóta
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 2: Táncdalok, No. 8. Hatforintos nóta
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
1:48

Diverse Songs:
37 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 3: Vegyes dalok, No. 9. Juhászcsúfoló
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 3: Vegyes dalok, No. 9. Juhászcsúfoló
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
2:05

38 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 3: Vegyes dalok, No. 10. Tréfás nóta
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 3: Vegyes dalok, No. 10. Tréfás nóta
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
1:39

39 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 3: Vegyes dalok, No. 11. Párosító 1
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 3: Vegyes dalok, No. 11. Párosító 1
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
1:47

40 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 3: Vegyes dalok, No. 12. Párosító 2
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 3: Vegyes dalok, No. 12. Párosító 2
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
1:24

41 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 3: Vegyes dalok, No. 13. Pár-ének
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 3: Vegyes dalok, No. 13. Pár-ének
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
3:19

42 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 3: Vegyes dalok, No. 14. Panasz
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 3: Vegyes dalok, No. 14. Panasz
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
1:31

43 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 3: Vegyes dalok, No. 15. Bordal
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 3: Vegyes dalok, No. 15. Bordal
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
1:18

New Style Songs:
44 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 4: Új dalok, No. 16. Allegro. Hej, édesanyám
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 4: Új dalok, No. 16. Allegro. Hej, édesanyám
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
1:00

45 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 4: Új dalok, No. 17. Più allegro. Érik a ropogós cseresznye
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 4: Új dalok, No. 17. Più allegro. Érik a ropogós cseresznye
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
0:30

46 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 4: Új dalok, No. 18. Moderato. Már Dobozon
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 4: Új dalok, No. 18. Moderato. Már Dobozon
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
1:46

47 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 4: Új dalok, No. 19. Allegretto. Sárga kukoricaszár
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 4: Új dalok, No. 19. Allegretto. Sárga kukoricaszár
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
0:28

48 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 4: Új dalok, No. 20. Allegro non troppo. Búza, búza
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 4: Új dalok, No. 20. Allegro non troppo. Búza, búza
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
2:18

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Aqui, toda a coleção.

Um lindo CD. Tudo começa pelo final… Tudo começa pelo final de Mikrokosmos, que está no início do CD. Aquilo ali pode ser, sim, tocado em recitais de pianistas, pois são peças ao mesmo tempo difíceis, estimulantes e belas. E a Suíte para 2 Pianos, originalmente escrita para orquestra, é uma das obras que inauguraram o estilo mais maduro de Bartók — ela ainda tem raízes no romantismo tardio, mas o uso de elementos da música folclórica já está presente de forma impressionante e funcionante. O desempenho dos pianistas é novamente espetacular, com destaque para a presença de Ditta Pásztory-Bartók — sim, a viúva do compositor — na Suíte. De modo geral, a interpretação é afiada, cortante, fresca e de grande propulsão rítmica. A qualidade do som é boa.

Béla Bartók (1881-1945): Progressive pieces for piano “Mikrokosmos” / Seven pieces from “Mikrokosmos” for 2 pianos / Suite for 2 pianos (Zempléni / Pásztory-Bartók / Tusa / Comensoli) #BRTK140 Vol. 25 de 29

1 Progressive pieces for piano, Sz. 107/6, BB 105/140–153 “Mikrokosmos”: Volume 6: CXL. Szabad változatok / CXLI. Tükrözõdés
piano:
Kornél Zempléni
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume VI, No. 140: Free Variations (Allegro molto)
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume VI
3:09

2 Progressive pieces for piano, Sz. 107/6, BB 105/140–153 “Mikrokosmos”: Volume 6: CXLII. Mese a kis légyrõl
piano:
Kornél Zempléni
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume VI, No. 142: From the Diary of a Fly
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume VI
1:35

3 Progressive pieces for piano, Sz. 107/6, BB 105/140–153 “Mikrokosmos”: Volume 6: CXLIII. Tört hangzatok váltakozva / CXLIV. Kis másod- és nagy hetedhangközök
piano:
Kornél Zempléni
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume VI, No. 143: Divided Arpeggios
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume VI
6:32

4 Progressive pieces for piano, Sz. 107/6, BB 105/140–153 “Mikrokosmos”: Volume 6: CXLV. Kromatikus invenció
piano:
Kornél Zempléni
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume VI, No. 145: Chromatic Invention
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume VI
2:27

5 Progressive pieces for piano, Sz. 107/6, BB 105/140–153 “Mikrokosmos”: Volume 6: CXLVI. Ostinato / CXLVII. Induló
piano:
Kornél Zempléni
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume VI, No. 146: Ostinato (Vivacissimo)
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume VI
4:14

6 Progressive pieces for piano, Sz. 107/6, BB 105/140–153 “Mikrokosmos”: Volume 6: CXLVIII. Hat tánc bolgár ritmusban I / XLIX. Hat tánc bolgár ritmusban II / L. Hat tánc bolgár ritmusban III / LI. Hat tánc bolgár ritmusban IV / LII. Hat tánc bolgár ritmusban V / LIII. Hat tánc bolgár ritmusban VI
piano:
Kornél Zempléni
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume VI, No. 148: Six Dances in Bulgarian Rhythm, No. 1
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume VI
9:18

7 Seven pieces from Mikrokosmos for 2 pianos, Sz. 108, BB 120: No. 69. Allegro molto. Bolgár ritmus
piano:
Ditta Pásztory-Bartók and Erzsébet Tusa (pianist)
recording of:
Pieces from Mikrokosmos, Sz. 108, BB. 120: No. 1. Bulgarian Rhythm
composer and arranger:
Béla Bartók (composer)
version of:
Mikrokosmos, Sz. 107, BB 105: Volume IV, No. 113: Bulgarian Rhythm (Allegro molto)part of:
Pieces from Mikrokosmos, Sz. 108, BB. 120
1:11

8 Seven pieces from Mikrokosmos for 2 pianos, Sz. 108, BB 120: No. 113. Moderato. Akkordtanulmány
piano:
Ditta Pásztory-Bartók and Erzsébet Tusa (pianist)
recording of:
Pieces from Mikrokosmos, Sz. 108, BB. 120: No. 2. Chord and Trill Study
composer and arranger:
Béla Bartók (composer)
version of:
Mikrokosmos, Sz. 107, BB 105: Volume III, No. 69: Study in Chordspart of:
Pieces from Mikrokosmos, Sz. 108, BB. 120
1:07

9 Seven pieces from Mikrokosmos for 2 pianos, Sz. 108, BB 120: No. 123. Allegro molto. Perpetuum Mobile
piano:
Ditta Pásztory-Bartók and Erzsébet Tusa (pianist)
recording of:
Pieces from Mikrokosmos, Sz. 108, BB. 120: No. 3. Perpetuum mobile
composer and arranger:
Béla Bartók (composer)
version of:
Mikrokosmos, Sz. 107, BB 105: Volume V, No. 135: Perpetuum mobile (Allegro molto)part of:
Pieces from Mikrokosmos, Sz. 108, BB. 120
0:47

10 Seven pieces from Mikrokosmos for 2 pianos, Sz. 108, BB 120: No. 127. Allegro. Kánon és megfordítása
piano:
Ditta Pásztory-Bartók and Erzsébet Tusa (pianist)
recording of:
Pieces from Mikrokosmos, Sz. 108, BB. 120: No. 4. Short Canon and Its Inversion
composer and arranger:
Béla Bartók (composer)
version of:
Mikrokosmos, Sz. 107, BB 105: Volume V, No. 123: Staccato and Legatopart of:
Pieces from Mikrokosmos, Sz. 108, BB. 120
0:50

11 Seven pieces from Mikrokosmos for 2 pianos, Sz. 108, BB 120: No. 135. Ben ritmato. Új magyar népdal
piano:
Ditta Pásztory-Bartók and Erzsébet Tusa (pianist)
recording of:
Pieces from Mikrokosmos, Sz. 108, BB. 120: No. 5. New Hungarian Folksong
composer and arranger:
Béla Bartók (composer)
version of:
Mikrokosmos, Sz. 107, BB 105: Volume V, No. 127: New Hungarian Folk Songpart of:
Pieces from Mikrokosmos, Sz. 108, BB. 120
1:00

12 Seven pieces from Mikrokosmos for 2 pianos, Sz. 108, BB 120: No. 145. Allegro. Kromatikus invenció
piano:
Ditta Pásztory-Bartók and Erzsébet Tusa (pianist)
recording of:
Pieces from Mikrokosmos, Sz. 108, BB. 120: No. 6. Chromatic Invention
composer and arranger:
Béla Bartók (composer)
version of:
Mikrokosmos, Sz. 107, BB 105: Volume VI, No. 145: Chromatic Inventionpart of:
Pieces from Mikrokosmos, Sz. 108, BB. 120
1:14

13 Seven pieces from Mikrokosmos for 2 pianos, Sz. 108, BB 120: No. 146. Vivacissimo. Ostinato
piano:
Ditta Pásztory-Bartók and Erzsébet Tusa (pianist)
recording of:
Pieces from Mikrokosmos, Sz. 108, BB. 120: No. 7. Ostinato
composer and arranger:
Béla Bartók (composer)
version of:
Mikrokosmos, Sz. 107, BB 105: Volume VI, No. 146: Ostinato (Vivacissimo)part of:
Pieces from Mikrokosmos, Sz. 108, BB. 120
2:41

14 Suite for 2 pianos freely arranged after Suite No. 2 for orchestra, Sz. 115/a, BB 122 (Op. 4/a): I. Comodo. Serenata
piano:
Mária Comensoli and Ditta Pásztory-Bartók
phonographic copyright by:
Hungaroton (in 1988)
recording of:
Suite for Two Pianos, op. 4b, Sz. 115a, BB 122: I. Serenata
composer:
Béla Bartók (composer) (in 1941)
part of:
Suite for Two Pianos, op. 4b, Sz. 115a, BB 122
6:31

15 Suite for 2 pianos freely arranged after Suite No. 2 for orchestra, Sz. 115/a, BB 122 (Op. 4/a): II. Allegro diabolico
piano:
Mária Comensoli and Ditta Pásztory-Bartók
phonographic copyright by:
Hungaroton (in 1988)
recording of:
Suite for Two Pianos, op. 4b, Sz. 115a, BB 122: II. Allegro diabolico
composer:
Béla Bartók (composer) (in 1941)
part of:
Suite for Two Pianos, op. 4b, Sz. 115a, BB 122
9:02

16 Suite for 2 pianos freely arranged after Suite No. 2 for orchestra, Sz. 115/a, BB 122 (Op. 4/a): III. Andante. Scena della Puszta
piano:
Mária Comensoli and Ditta Pásztory-Bartók
phonographic copyright by:
Hungaroton (in 1988)
recording of:
Suite for Two Pianos, op. 4b, Sz. 115a, BB 122: III. Scena della Puszta
composer:
Béla Bartók (composer) (in 1941)
part of:
Suite for Two Pianos, op. 4b, Sz. 115a, BB 122
7:29

17 Suite for 2 pianos freely arranged after Suite No. 2 for orchestra, Sz. 115/a, BB 122 (Op. 4/a): IV. Comodo. Per finire
piano:
Mária Comensoli and Ditta Pásztory-Bartók
phonographic copyright by:
Hungaroton (in 1988)
recording of:
Suite for Two Pianos, op. 4b, Sz. 115a, BB 122: IV. Per finire
composer:
Béla Bartók (composer) (in 1941)
part of:
Suite for Two Pianos, op. 4b, Sz. 115a, BB 122
6:31

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