Showing all posts in Bartók, Béla

IM-PER-DÍ-VEL !!!

Este é um CD de 2007. Então, aqui o extraordinário Quarteto Ébène ainda tinha sua primeira formação, com Pierre Colombet, 1º violino; Gabriel Le Magadure, 2º violino; Mathieu Herzog, viola e Raphaël Merlin, violoncelo. O quarteto, que já era fantástico, só se tornou melhor com o ingresso da violista Marie Chilemme no lugar de Herzog em 2017. Falar sobre o repertório é ocioso, basta você visitar este link que você terá a obra completa de Bartók e mais uns 130 CDs dele. Ah, e quando apresentamos a obra completa, descrevemos dedicadamente cada um dos quartetos em várias versões. Vai lá! Sobre a interpretação, só posso dizer que o Ébène compreende muito bem o húngaro. Suas interpretações são excelentes!

Béla Bartók (1881-1945): Quartetos de Cordas Nº 1, 2 e 3 (Quatuor Ébène)

Quatuor à Cordes No 1 Opus 7 Sz. 40
1 Lento
2 Allegretto
3 Introduzione: Allegro – Allegro Vivace

Quatuor à Cordes No 2 Opus 17 Sz. 67
4 Moderato
5 Allegro Molto Cappriccioso
6 Lento

Quatuor à Cordes No 3 Opus 3 Sz. 85
7 Prima Parte: Moderato
8 Seconda Parte: Allego
9 Ricapitulazione Della Prima Parte: Moderato
10 Coda: Allegro Molto

Quatuor Ébène

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PQP

Sim, eu sei o que o mano PQP vai dizer: nunca houve uma gravação dos concertos para piano como a que Géza Anda realizou ainda nos anos 60, com o Férenc Fricsay. Mas o genial pianista húngaro já morreu há bastante tempo, assim como o fantástico maestro húngaro, e neste meio tempo nasceu Jean-Efflam Bavouzet, este excelente pianista francês, um de meus favoritos da atualidade. Lembram de seu Debussy e de seu Ravel que postei ano passado? Aqui, Bavouzet encara os três petardos bartokianos com maestria, perícia, e tranquilidade. Coisa de gente grande, que sabe o que faz. Para ouvir, sugiro pararem de fazer o que estiverem fazendo e prestarem atenção, e depois me digam se o rapaz não é bom mesmo. Enquanto escrevo este texto, e ouço este excelente CD, meu vizinho ouve uma música eletrônica horrível, possivelmente para irritar os vizinhos antes de ir para as baladas de sexta feira à noite, e também para mostrar que o equipamento de som dele é melhor que o meu, e provavelmente o é. Mas deixemos ele de lado… cada um sabe a dor e a delícia de ser o que se é, como dizia o poeta. E fiquemos com o Béla. Divirtam-se.

Béla Bartók (1881-1945): The Piano Concertos (Bavouzet / Noseda / BBC)

01. Béla Bartók – Piano Concerto No.1, BB 91 – I Allegro moderato
02. Béla Bartók – Piano Concerto No.1, BB 91 – II Andante
03. Béla Bartók – Piano Concerto No.1, BB 91 – III Allegro

04. Béla Bartók – Piano Concerto No.2, BB 101 – I Allegro
05. Béla Bartók – Piano Concerto No.2, BB 101 – II Adagio – Presto – Adagio
06. Béla Bartók – Piano Concerto No.2, BB 101 – III Allegro molto

07. Béla Bartók – Piano Concerto No.3, BB 127 – I Allegretto
08. Béla Bartók – Piano Concerto No.3, BB 127 – II Adagio religioso
09. Béla Bartók – Piano Concerto No.3, BB 127 – III [Allegro vivace]

Jean-Efflam Bavouzet – Piano
BBC Philharmonic
Gianandrea Noseda – Conductor

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FDP & PQP

IM-PER-DÍ-VEL !!!

A orquestra mais antiga da Austrália, a Sinfônica de Melbourne, fundada em 1906, traz alta energia e finesse a essas apresentações de Bartók sob a direção do inglês Edward Gardner. A Música para Cordas, Percussão e Celesta abre misteriosamente com o cromático Andante tranquillo. O Allegro é decididamente demoníaco, o Adagio kubrickiano é delicioso e o Allegro cheio de espírito e urgência. O trabalho solo de teclado e percussão é vigoroso – aliás, na obra, a celesta fica em muito menos em evidência do que o título da obra sugere (o piano é muito mais proeminente). A Suíte do mardarim Miraculoso está espetacular, brilhando seus estranhos coloridos orquestrais e Quatro Peças Orquestrais, muito menos vistosas, mesmo assim valem a pena serem ouvidas. Um disco magnífico! Recomendo muito!

Suite from The Miraculous Mandarin, pantomime in one act, Op. 19 BB 82 (19:00)
1 Allegro – Meno mosso – Tempo 1 – Energico – Vivo – 2:37
2 Moderato – Rubato – Più mosso – Comodo – Più lento – Comodo – Lento – Più mosso – Vivace 3:43
3 Sostenuto – Più mosso – Meno mosso – Più mosso – Allegretto – Sostenuto – Più mosso – Ancora più mosso – Allegretto – Tranquillo – Più tranquillo – Più mosso – Vivace 3:21
4 Sostenuto – Più mosso – Meno mosso – Più mosso – Vivo – Agitato – Molto agitato – Agitato (tempo giusto) – Maestoso (subito) 2:30
5 Lento – Più mosso – (A tempo più lento) – Più vivo – Molto sostenuto – Allegretto 3:50
6 Adagio – Tempo di Valse – Allegro – Più allegro (stretto) – Sempre vivace – Marcatissimo – Sempre vivace 3:13

Music for Strings, Percussion, and Celesta, BB 114 (25:40)
7 I. Andante tranquillo 8:23
8 II. Allegro – Vivo – Meno vivo – Un poco largamente – Più mosso – Vivace – Allegro molto – Un poco allargando 7:37
9 III. Adagio – Adagio molto – Più andante – Più lento – Più andante – Più mosso – Allegretto – Meno mosso – Adagio – Adagio molto – Tempo 1 7:49
10 IV. Allegro molto – Un poco meno mosso – Ancora meno mosso – Più mosso – Un poco meno mosso – Tempo 1 – Un poco meno mosso – Tempo 1 – Vivacissimo – Presto strepitoso – Molto moderato – Adagio – Allegro – Calmo – Vivacissimo, stretto – Tempo 1 – Meno 7:20

Four Orchestral Pieces, Op. 12 BB 64 (25:00)
11 I. Preludio. Moderato – Più andante – Più mosso, molto appassionato – Tempo 1 – Tranquillo – Tempo 1 – Sostenuto – Tempo 1 (Tranquillo) 7:14
12 II. Scherzo. Allegro – Meno mosso – Tempo 1 (vivo) – Più mosso – (Meno mosso) – Tempo 1 – Meno mosso – Ancora meno mosso, con calore – (Meno mosso) – Più mosso – Allegro – (Meno mosso) – (Più mosso) – Tempo 1 – Più vivo 6:23
13 III. Intermezzo. Moderato – Più sostenuto – Largamente – Andante – Tranquillo – Più sostenuto (Molto tranquillo) – Agitato – Andante – Più andante – Tempo 1 – Più lento 4:40
14 IV. Marcia funebre. Maestoso – Più andante – Maestoso – Appassionato – Tranquillo – Più andante – Più sostenuto

Composed By – Béla Bartók
Conductor – Edward Gardner
Orchestra – Melbourne Symphony Orchestra

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PQP

IM-PER-DÍ-VEL !!!

Se há um disco que me formou como ouvinte, foi este. Quando adolescente, eu ouvia de tudo um pouco, com enorme ênfase em papai Bach. Porém, quando foi lançado este vinil (ver capa abaixo) com os dois primeiros Concertos para Piano de Béla Bartók, meu modo de ouvir música recebeu um alongamento digno de um espacato feito subitamente por um sedentário. E que foi muito prazeroso. A abordagem contundente de Maurizio Pollini funciona muito bem. Os músicos de Chicago circulam o pianista como uma gangue de rua empenhada em resolver seus problemas e a corrida sem fôlego do primeiro movimento é extraordinariamente emocionante. A valse macabra percussiva (meu termo, não de Bartok) que fica no coração do segundo movimento é hipnótica, de enorme tensão. Pollini é um dos meus pianistas vivos favoritos e há muitos aspectos impressionantes de sua performance, principalmente sua entrega incrivelmente hábil do Presto central do segundo movimento do Concerto Nº 2. Essas performances de concerto ganharam o prêmio The Gramophone’s Concerto em 1979, e não é difícil saber por quê.

Bartók escreveu esses dois concertos para ele mesmo tocar, ao contrário do terceiro, que escreveu como um legado para sua esposa quando soube que estava morrendo. Esses dois primeiros datam do apogeu de seu período mais dissonante e desafiador. O mais feroz dos dois é o primeiro. Nele, lembramos da observação do compositor “o piano é um instrumento de percussão” e há um uso implacável disso. A percussão orquestral também desempenha um papel importante, e Bartók fornece instruções meticulosas sobre como obter os sons que deseja. O segundo concerto pode parecer similar, mas não é. É igualmente dissonante, mas desta vez é mais brincalhão do que raivoso, embora brincalhão da maneira como um tigre pode ser. Sua estrutura é incomum. No primeiro movimento as cordas ficam completamente silenciosas. O piano toca quase o tempo todo e também tem uma grande cadência. O segundo movimento tem duas seções lentas encerrando um meio rápido. Nas seções lentas há um diálogo entre acordes serenos nas cordas e súplicas melancólicas do piano; o ouvinte se lembrará do movimento lento do quarto concerto para piano de Beethoven. A seção do meio é bem diferente: é um scherzo arisco, com um turbilhão de notas de piano apoiando interjeições semelhantes a Prokofiev das madeiras.

Pollini traz seu virtuosismo costumeiro para essas obras, deleitando-se com a dissonância e a energia delas. Abbado fornece suporte seguro, com a Orquestra Sinfônica de Chicago exibindo seus pontos fortes habituais nos sopros e metais. Em vez do terceiro concerto, temos os Two Portraits. Este é um trabalho inicial, que foi montado a partir de duas outras peças. O primeiro movimento é mais ou menos o primeiro movimento do descartado Primeiro Concerto para Violino de Bartók, cuja partitura ele deu ao seu amor da época, a violinista Stefi Geyer, mas que ela nunca tocou e que veio à tona somente após sua morte. O segundo movimento é uma orquestração da Bagatelle Op. 6 No 14. Ele também deu legendas aos dois movimentos: um ideal e um grotesco. O sonhador primeiro retrato é seguido por uma paródia irônica do mesmo.

Béla Bartók (1881-1945): Piano Concertos Nos. 1 & 2 – Two Portraits (Pollini, Mintz, Abbado, CSO, LSO)

Concerto For Piano And Orchestra No. 1
1 Allegro Moderato – Allegro
2 Andante – Allegro – Attacca
3 Allegro Molto

Concerto For Piano And Orchestra No. 2
4 Allegro
5 Adagio – Presto – Adagio
6 Allegro Molto – Presto

Two Portraits Op. 5
7 One Ideal
8 One Grotesque

Conductor – Claudio Abbado
Orchestra – The Chicago Symphony Orchestra (tracks: 1 to 6), The London Symphony Orchestra (tracks: 7, 8)
Piano – Maurizio Pollini (tracks: 1 to 6)
Violin – Shlomo Mintz (tracks: 7, 8)

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PQP

IM-PER-DÍ-VEL !!!

As Rapsódias são muito bonitas, o Andante nem se fala. Mas vou colocar meu foco sobre o curioso (e lindo) Quinteto.

Aos 22 anos, Bartók escreveu um imenso Quinteto para Piano e Cordas. São quase 45 minutos de uma música bem complicada. Ao envelhecer, o compositor passou a detestar esta sua manifestação da juventude. Por anos, segui a opinião dele. Só que, no ano passado, fui obrigado a ouvir atentamente a coisa e achei a peça maravilhosa. Li que Janine Jansen também é uma defensora do Quinteto. Quem ama Bartók reconhece ali, em embrião, características que serão desenvolvidas depois. O Quinteto tem todas as sementes, inclusive um movimento cigano e aquela dureza que por vezes nos arranha… Mas talvez admirá-lo seja coisa de fã, de gente que consegue reconhecer o adulto no feto.

Béla Bartók começou a escrever seu Quinteto para Piano em Berlim, não muito depois de se formar na Academia Liszt de Budapeste. Esta foi uma época em que sua música estava sob a influência de Richard Strauss e Debussy. Em 1902, Bartók tinha ouvido Also sprach Zarathustra e a impressão recebida por ele era aparente em seu recém-concluído poema sinfônico, Kossuth. Simultaneamente, Bartók também estava começando a explorar uma linguagem musical nacional como forma de expressar a identidade húngara, e essa tensão entre a tradição clássica europeia e o desejo de forjar algo novo caracteriza grande parte do quinteto. A obra foi concluída no verão de 1904 na Hungria, e apresentada pela primeira vez em Viena, no Ehrbar Saal, em 21 de novembro pelo Prill Quartet, com o próprio compositor assumindo o piano. Como ele comentou em uma carta alguns dias depois a seu professor de piano da Academia, István Thomán: ‘A dificuldade de meu quinteto prejudicou gravemente a primeira apresentação — mas, afinal de contas, de alguma forma ele foi aprovado. O público gostou ao ponto de voltarmos 3 vezes ao palco.’ As críticas foram amplamente positivas. O crítico do Welt Blatt , no entanto, foi menos gentil, observando que “um talento inconfundível luta com um vício questionável de efeitos distintos, que não raramente são totalmente repulsivos”… O quinteto foi posteriormente revisado e a nova versão foi interpretada pela primeira vez em 7 de janeiro de 1921. Com o passar dos anos, Bartók passou a detestar a peça. Zoltán Kodály pensou que Bartók tinha destruído totalmente a obra. Ela sumiu. Só que ela foi redescoberta pelo estudioso de Bartók Denijs Dille. Isso em janeiro de 1963. Ela nunca se tornou popular, mas Janine Jansen a ama e é a atual “dona” da peça. Digo que é “dona” porque ela a divulga onde e quando pode com seu enorme talento e 1,85m. É realmente uma obra que não parece ser de Bartók. Talvez o último movimento possua algo de sua voz, mas é só. Eu gosto muito do Quinteto pelo extravasamento de sinceridade juvenil, o que paradoxalmente a torna mais claro para os aficionados e mais obscuro para o público. Estou com Janine nessa.

Béla Bartók (1881-1945): Rapsódias Nos. 1 e 2 / Andante / Quinteto para Piano (Kodály Quartet, Jandó)

Rhapsody No. 1, Sz. 86
1. Prima parte ‘lassu’: Moderato 00:04:38
2. Seconda parte ‘friss’: Allegretto moderato 00:05:44

Rhapsody No. 2, Sz. 89
3. Prima parte ‘lassu’: Moderato 00:04:17
4. Seconda parte ‘friss’: Allegro moderato 00:06:49

Andante in A Major, BB 26b
5. Andante in A Major, BB 26b 00:03:24

Piano Quintet
6. Andante 00:13:08
7. Vivace (Scherzando) 00:08:47
8. Adagio 00:11:26
9. Poco a poco più vivace 00:08:24

Kodály Quartet
Jenő Jandó

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PQP

Aqui, toda a coleção.

IM-PER-DÍ-VEL !!!

É claro, já estou com saudades. Após ouvir a obra completa do húngaro, penso em quando irei retornar a ela. Acho que não demorará muito. Ouvir estes CDs foi uma linda aventura patrocinada pelo colega Vassily Genrikhovich. Ouvir Bartók foi conviver com o compositor, o pianista, o professor, o musicólogo, o etnomusicólogo, o colecionador de música folclórica, enfim, com o gênio de um dos principais criadores do século XX.

Os grandes compositores barrocos, clássicos e românticos combinaram qualidade com quantidade — pense nas produções de Handel, Telemann, Bach, Mozart, Haydn e Beethoven. Por outro lado, nos tempos modernos, considere o caso extremo de Anton Webern, cuja produção de toda a vida é reproduzida por pouco mais de duas horas, ou seja, cerca de metade da duração de uma ópera de Strauss ou Wagner. Apesar disso, Webern é reconhecido como uma grande influência musical na segunda metade do século XX. Pois, julgada pelos padrões dos séculos anteriores ao XX, a produção de Béla Bartók não é grande. Cabe em 29 CDs. Não é pouco, mas também não é algo caudaloso. Há seis quartetos de cordas, seis concertos, três obras de palco em um ato, quatro sonatas, três suítes e outras peças orquestrais e um grande número de pequenas obras para piano, cada uma ocupando apenas algumas folhas de partitura. Ele também escreveu uma cantata e um grande número de arranjos de canções folclóricas. Nada de sinfonias. No entanto, é consenso que Bartók é um dos  grandes compositores de nosso tempo. Isso por um único motivo, por causa da alta qualidade e originalidade de sua música.

Bartók era uma pessoa muito quieta, tímida e calma. Não gostava de ser importunado. Aliás, adorava ser importunado, mas só por crianças. Dizia-se que, quando admiradores entusiasmados se dirigiam a ele como “Mestre” ou “Maestro”, ele respondia: “Meu nome é Bartók”. Sim, seu nome é Bartók e você deveria conhecê-lo se quiser saber em que mundo está pisando.

E, se você tiver alguma dúvida sobre este último volume, ouça Evening e a Marcha Fúnebre do poema sinfônico Kossuth (versão para piano solo). Sim, ouça.

Béla Bartók (1881-1945): Three folksongs from the Csík District / Two Hungarian folksongs / Székely folksong / Four Slovakian folksongs / Petits morceaux zongorára / Four songs for voice and piano / Scherzo-fantasie for piano / “Evening” / Marche funèbre from symphonic poem “Kossuth” for piano / “Evening” for male choir #BRTK140 Vol. 29 de 29

1 Three folksongs from the Csík District for recorder and piano, Sz. 35, BB 45/a “Gyergyó”: No. 1. (Rubato)
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Emese Virágh (pianist)
recorder:
Gábor Kállay (tenor)
recording of:
Gyergyóból, tilinkóra és zongorára, Sz. 35, BB 45a: I. (Rubato)
composer:
Béla Bartók (composer) (in 1907)
part of:
Gyergyóból, tilinkóra és zongorára, Sz. 35, BB 45a
0:51

2 Three folksongs from the Csík District for recorder and piano, Sz. 35, BB 45/a “Gyergyó”: No. 2. (Poco piú mosso)
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Emese Virágh (pianist)
recorder:
Gábor Kállay (tenor)
recording of:
Gyergyóból, tilinkóra és zongorára, Sz. 35, BB 45a: II. (Poco piú mosso)
composer:
Béla Bartók (composer) (in 1907)
part of:
Gyergyóból, tilinkóra és zongorára, Sz. 35, BB 45a
1:06

3 Three folksongs from the Csík District for recorder and piano, Sz. 35, BB 45/a “Gyergyó”: No. 3. Tempo di marcia
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Emese Virágh (pianist)
recorder:
Gábor Kállay (tenor)
recording of:
Gyergyóból, tilinkóra és zongorára, Sz. 35, BB 45a: III. Tempo di marcia
composer:
Béla Bartók (composer) (in 1907)
part of:
Gyergyóból, tilinkóra és zongorára, Sz. 35, BB 45a
0:31

4 Two Hungarian folksongs for voice & piano, Sz. 33/b, BB 44: No. 1. “Édesanyám rózsafája”
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Emese Virágh (pianist)
soprano vocals:
Meláth Andrea
recording of:
Két magyar népdal: I. “Édesanyám rózsafája”
composer:
Béla Bartók (composer) (in 1907)
part of:
Két magyar népdal (Two Hungarian Folksongs), for voice and piano, Sz. 33b, BB 44
0:47

5 Two Hungarian folksongs for voice & piano, Sz. 33/b, BB 44: No. 2. “Túl vagy rózsám, túl vagy a málnás erdején”
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Emese Virágh (pianist)
soprano vocals:
Meláth Andrea
recording of:
Két magyar népdal: II. “Túl vagy rózsám, túl vagy a málnás erdején”
composer:
Béla Bartók (composer) (in 1907)
part of:
Két magyar népdal (Two Hungarian Folksongs), for voice and piano, Sz. 33b, BB 44
1:51

6 Székely folksong for voice & piano, Sz. 30, BB 34 “Négy szlovák népdal énekhangra zongorakísérettel”
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Emese Virágh (pianist)
soprano vocals:
Meláth Andrea
recording of:
Székely népdal (“Piros alma”)
composer:
Béla Bartók (composer) (in 1904)
1:44

7 Four Slovakian folksongs for voice & piano No. 1, Sz. 35/b+63/a, BB 46+73 “Bisztrói határon”
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Emese Virágh (pianist)
soprano vocals:
Meláth Andrea
recording of:
Négy szlovák népdal: I. “V tej Bystrickej bráne”
composer:
Béla Bartók (composer) (in 1907)
part of:
Négy szlovák népdal, Sz. 35b, BB 46
1:46

8 Four Slovakian folksongs for voice & piano No. 2, Sz. 35/b+63/a, BB 46+73 “Pohàební písen (Dolu dolinámi)”: “Halotti ének (Lent a völgyben mélyen)”
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Emese Virágh (pianist)
soprano vocals:
Meláth Andrea
recording of:
Négy szlovák népdal: II. “Pohřební pisen (Dolu dolinámi)”
composer:
Béla Bartók (composer) (in 1907)
part of:
Négy szlovák népdal, Sz. 35b, BB 46
2:28

9 Four Slovakian folksongs for voice & piano No. 3, Sz. 35/b+63/a, BB 46+73 “Priletel pták”
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Emese Virágh (pianist)
soprano vocals:
Meláth Andrea
recording of:
Négy szlovák népdal: III. “Priletel pták”
composer:
Béla Bartók (composer) (in 1907)
part of:
Négy szlovák népdal, Sz. 35b, BB 46
2:51

10 Four Slovakian folksongs for voice & piano No. 4, Sz. 63/a, BB 73 “Krutí Tono vretena”
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Emese Virágh (pianist)
soprano vocals:
Meláth Andrea
recording of:
Négy szlovák népdal: IV. “Krutí Tono vretena”
composer:
Béla Bartók (composer) (in 1916)
part of:
Négy szlovák népdal, Sz. 35b, BB 46
0:49

11 Petits morceaux zongorára voice & piano, Sz. 29, BB 38 “Orsót pörget Tónika”: I. Adagio
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Kassai István
recording of:
Petits morceaux: I. Adagio
composer:
Béla Bartók (composer) (in 1905)
part of:
Petits morceaux
2:30

12 Petits morceaux zongorára voice & piano, Sz. 29, BB 38 “Orsót pörget Tónika”: II. Moderato
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Kassai István
recording of:
Petits morceaux: II. Moderato
composer:
Béla Bartók (composer) (in 1905)
version of:
Négy dal Pósa Lajos szövegeire: I. “Őszi szellő”part of:
Petits morceaux
1:09

13 Four songs for voice and piano No. 1, BB 24, DD 67 “Õszi szellõ”
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Emese Virágh (pianist)
soprano vocals:
Meláth Andrea
recording of:
Négy dal Pósa Lajos szövegeire: I. “Őszi szellő”
lyricist:
Pósa Lajos
composer:
Béla Bartók (composer) (in 1902)
part of:
Négy dal Pósa Lajos szövegeire, Sz. 15, BB 24, DD 67
1:14

14 Four songs for voice and piano No. 2, BB 24, DD 67 “Még azt vetik a szememre”
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Emese Virágh (pianist)
soprano vocals:
Meláth Andrea
recording of:
Négy dal Pósa Lajos szövegeire: II. “Még azt vetik a szememre”
lyricist:
Pósa Lajos
composer:
Béla Bartók (composer) (in 1902)
part of:
Négy dal Pósa Lajos szövegeire, Sz. 15, BB 24, DD 67
0:53

15 Four songs for voice and piano No. 3, BB 24, DD 67 “Nincs olyan bú”
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Emese Virágh (pianist)
soprano vocals:
Meláth Andrea
recording of:
Négy dal Pósa Lajos szövegeire: III. “Nincs olyan bú”
lyricist:
Pósa Lajos
composer:
Béla Bartók (composer) (in 1902)
part of:
Négy dal Pósa Lajos szövegeire, Sz. 15, BB 24, DD 67
1:47

16 Four songs for voice and piano No. 4, BB 24, DD 67 “Ejnye, ejnye”
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Emese Virágh (pianist)
soprano vocals:
Meláth Andrea
recording of:
Négy dal Pósa Lajos szövegeire: IV. “Ejnye, ejnye”
lyricist:
Pósa Lajos
composer:
Béla Bartók (composer) (in 1902)
part of:
Négy dal Pósa Lajos szövegeire, Sz. 15, BB 24, DD 67
1:00

17 Scherzo-fantasie for piano in B major, BB 11, DD 50
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Kassai István
recording of:
Scherzo or Fantasie, Sz. 8, BB 11, DD 50
composer:
Béla Bartók (composer) (in 1897)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 8) and Béla Bartók’s Works (BB) (number: BB 11)
4:57

18 “Evening” for voice and piano, BB 29, DD 73
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Emese Virágh (pianist)
soprano vocals:
Meláth Andrea
recording of:
Est, BB 29, DD 74 (for voice and piano)
lyricist:
Harsányi Kalman
composer:
Béla Bartók (composer) (in 1903)
part of:
Béla Bartók’s Works (BB) (number: BB 29)
3:46

19 Marche funèbre from symphonic poem “Kossuth” for piano, BB 31, DD 75/b
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
piano:
Kassai István
recording of:
Marcia funèbre from Kossuth, Sz. 21, BB 31, DD 75b (for piano)
composer:
Béla Bartók (composer) (in 1903)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 21) and Béla Bartók’s Works (BB) (number: BB 31)
version of:
Kossuth: IX. Mindennek vége
5:21

20 “Evening” for male choir, BB 30, DD 74
engineer:
István Berényi (engineer)
producer:
Bárány Gusztáv
editor:
Dvorák Zsuzsa
choir vocals:
Honvéd Együttes férfikara
chorus master:
Tóth András
recording of:
Est, Sz. 19, BB 30, DD 74 (for male choir)
lyricist:
Harsányi Kalman
composer:
Béla Bartók (composer) (in 1903)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 19) and Béla Bartók’s Works (BB) (number: BB 30)
version of:
Est, BB 29, DD 74 (for voice and piano)
3:32

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Se o volume 27 foi apenas razoável, este é excelente, principalmente em razão da presença dos 27 Corais para crianças e coro feminino que finalizam este belo CD. Eles foram compostos durante um surto de criatividade no verão de 1935. Segundo o amigo de Bartók e compositor Zoltán Kodály, Bartók precisava de algum incentivo para escrever música coral, o que Kodály forneceu. Kodály também revelou que, antes de compor os corais, Bartók havia se apaixonado pela música do compositor renascentista Giovanni Pierluigi da Palestrina. Impulsionado por Kodály e inspirado por Palestrina, Bartók produziu os Vinte e Sete Corais para vozes agudas.

Os textos para esses corais foram extraídos de canções folclóricas húngaras, como seria de esperar, dadas as predileções etnomusicológicas de Bartók, embora aqui a música seja menos retirada de expressões populares do que em obras anteriores. Talvez o mais interessante sobre os textos corais é que Bartók removeu palavras, frases e versos inteiros dos textos folclóricos originais, em alguns casos substituindo-os por textos próprios a fim de aperfeiçoar o ritmo e o acento métrico dos versos. Assim, Bartók criou não apenas uma obra musical a partir de textos folclóricos, mas também poliu os textos originais. Sua música frequentemente borrava os limites entre a música folclórica e a linguagem mais abstrata. A linguagem musical dos corais é predominantemente diatônica e as harmonias são predominantemente triádicas. Às vezes elas criam confrontos duros e dissonâncias inesperadas. Os corais foram escritos em duas e três partes para coro feminino e infantil: oito dos corais são para vozes femininas, os restantes dezenove para coro infantil. Bartók posteriormente dividiu as peças em volumes de três ou quatro peças cada. Embora não tenha sido projetado especificamente como um ciclo de canções, o trabalho é frequentemente executado como um conjunto completo.

Embora as canções folclóricas húngaras forneçam o material de base para este trabalho, a influência de Palestrina e da polifonia renascentista não deve ser esquecida. A predileção de Bartók por Palestrina é evidente na textura contrapontística fortemente tecida e na imitação e fugas generalizadas nos corais. Bartók também usa esse estilo contrapontístico anacrônico e diatônico para acentuar as dissonâncias: no contexto de passagens muito tonais, os choques dissonantes entre vozes em contraponto são poderosamente ampliados. No entanto, embora os corais sejam exemplos magistrais de escrita polifônica, eles também são muito acessíveis tanto para corais quanto para o público. Bartók tomou muito cuidado para compor uma música que não fosse muito difícil de executar, mas sua expressividade tornam os 27 Corais uma obra memorável e importante.

Ah, o Gyõr Girls’ Choir é sensacional!

Béla Bartók (1881-1945): Old Hungarian folksongs for four-part male choir / Székely songs for six-part male choir / “From Olden Times” for three-part male choir / Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra) (Hungarian Army Male Chorus / Gyõr Girls’ Choir) #BRTK140 Vol. 28 de 29

1 Old Hungarian folksongs for four-part male choir, Sz. 50, BB 60: No. 1. “Rég megmondtam bús gerlice”
choir vocals:
Hungarian Army Male Chorus
recording of:
Old Hungarian folksongs for four-part male choir, Sz. 50, BB 60: No. 1. “Rég megmondtam bús gerlice”
composer:
Béla Bartók (composer)
part of:
Old Hungarian folksongs for four-part male choir, Sz. 50, BB 60
1:32

2 Old Hungarian folksongs for four-part male choir, Sz. 50, BB 60: No. 2. “Jaj Istenem! kire várok”
choir vocals:
Hungarian Army Male Chorus
recording of:
Old Hungarian folksongs for four-part male choir, Sz. 50, BB 60: No. 2. “Jaj Istenem! kire várok”
composer:
Béla Bartók (composer)
part of:
Old Hungarian folksongs for four-part male choir, Sz. 50, BB 60
0:36

3 Old Hungarian folksongs for four-part male choir, Sz. 50, BB 60: No. 3. “Ángyomasszony kertje”
choir vocals:
Hungarian Army Male Chorus
recording of:
Old Hungarian folksongs for four-part male choir, Sz. 50, BB 60: No. 3. “Ángyomasszony kertje”
composer:
Béla Bartók (composer)
part of:
Old Hungarian folksongs for four-part male choir, Sz. 50, BB 60
0:52

4 Old Hungarian folksongs for four-part male choir, Sz. 50, BB 60: No. 4. “Béreslegény, jól megrakd a szekeret”
choir vocals:
Hungarian Army Male Chorus
recording of:
Old Hungarian folksongs for four-part male choir, Sz. 50, BB 60: No. 4. “Béreslegény, jól megrakd a szekeret”
composer:
Béla Bartók (composer)
part of:
Old Hungarian folksongs for four-part male choir, Sz. 50, BB 60
0:57

5 Székely songs for six-part male choir, Sz. 99, BB 106: No. 1. “Hej, de sokszor megbántottál”
choir vocals:
Hungarian Army Male Chorus
recording of:
Székely songs for six-part male choir, Sz. 99, BB 106: No. 1. “Hej, de sokszor megbántottál”
composer:
Béla Bartók (composer)
part of:
Székely songs for six-part male choir, Sz. 99, BB 106
4:57

6 Székely songs for six-part male choir, Sz. 99, BB 106: No. 2. “Istenem, életem”
choir vocals:
Hungarian Army Male Chorus
recording of:
Székely songs for six-part male choir, Sz. 99, BB 106: No. 2. “Istenem, életem”
composer:
Béla Bartók (composer)
part of:
Székely songs for six-part male choir, Sz. 99, BB 106
2:00

7 Székely songs for six-part male choir, Sz. 99, BB 106: No. 3. “Vékony cérna, kemény mag”
choir vocals:
Hungarian Army Male Chorus
recording of:
Székely songs for six-part male choir, Sz. 99, BB 106: No. 3. “Vékony cérna, kemény mag”
composer:
Béla Bartók (composer)
part of:
Székely songs for six-part male choir, Sz. 99, BB 106
1:03

8 Székely songs for six-part male choir, Sz. 99, BB 106: No. 4. “Kilyénfalvi közeptizbe”
choir vocals:
Hungarian Army Male Chorus
recording of:
Székely songs for six-part male choir, Sz. 99, BB 106: No. 4. “Kilyénfalvi közeptizbe”
composer:
Béla Bartók (composer)
part of:
Székely songs for six-part male choir, Sz. 99, BB 106
0:52

9 Székely songs for six-part male choir, Sz. 99, BB 106: No. 5. “Vékony cérna, kemény mag”
choir vocals:
Hungarian Army Male Chorus
recording of:
Székely songs for six-part male choir, Sz. 99, BB 106: No. 5. “Vékony cérna, kemény mag”
composer:
Béla Bartók (composer)
part of:
Székely songs for six-part male choir, Sz. 99, BB 106
0:29

10 Székely songs for six-part male choir, Sz. 99, BB 106: No. 6. “Járjad pap a táncot”
choir vocals:
Hungarian Army Male Chorus
recording of:
Székely songs for six-part male choir, Sz. 99, BB 106: No. 6. “Járjad pap a táncot”
composer:
Béla Bartók (composer)
part of:
Székely songs for six-part male choir, Sz. 99, BB 106
1:21

11 “From Olden Times” for three-part male choir, Sz. 104, BB 112: No. 1. “Nincs boldogtalanabb”
recording of:
“From Olden Times” for three-part male choir, Sz. 104, BB 112: No. 1. “Nincs boldogtalanabb”
composer:
Béla Bartók (composer)
6:39

12 “From Olden Times” for three-part male choir, Sz. 104, BB 112: No. 2. “Egy, kettõ, három, négy”
recording of:
“From Olden Times” for three-part male choir, Sz. 104, BB 112: No. 2. “Egy, kettõ, három, négy”
composer:
Béla Bartók (composer)
2:39

13 “From Olden Times” for three-part male choir, Sz. 104, BB 112: No. 3. “Nincsen szerencsésebb”
recording of:
“From Olden Times” for three-part male choir, Sz. 104, BB 112: No. 3. “Nincsen szerencsésebb”
composer:
Béla Bartók (composer)
6:49

14 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume I, No. 1. “Tavasz”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume I, No. 1. “Tavasz”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
2:13

15 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume I, No. 2. “Ne hagyj itt!”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume I, No. 2. “Ne hagyj itt!”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
1:54

16 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume I, No. 3. “Jószágigézõ”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume I, No. 3. “Jószágigézõ”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
1:24

17 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume II, No. 1. “Levél az otthoniakhoz”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume II, No. 1. “Levél az otthoniakhoz”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
2:05

18 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume II, No. 2. “Játék”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume II, No. 2. “Játék”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
0:45

19 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume II, No. 3. “Leánynézõ”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume II, No. 3. “Leánynézõ”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
1:13

20 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume II, No. 4. “Héjja, héjja, karahéjja”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume II, No. 4. “Héjja, héjja, karahéjja”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
0:53

21 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume III, No. 1. “Ne menj el”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume III, No. 1. “Ne menj el”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
1:31

22 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume III, No. 2. “Van egy gyûrûm, karika”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume III, No. 2. “Van egy gyûrûm, karika”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
1:08

23 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume III, No. 3. “Senkim a világon”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume III, No. 3. “Senkim a világon”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
1:24

24 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume III, No. 4. “Cipósütés”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume III, No. 4. “Cipósütés”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
2:05

25 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume IV, No. 1. “Huszárnóta”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume IV, No. 1. “Huszárnóta”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
1:45

26 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume IV, No. 2. “Resteknek nótája”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume IV, No. 2. “Resteknek nótája”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
0:41

27 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume IV, No. 3. “Senkim a világon”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume IV, No. 3. “Senkim a világon”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
1:50

28 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume IV, No. 4. “Leánycsúfoló”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume IV, No. 4. “Leánycsúfoló”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
1:33

29 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume V, No. 1. “Legénycsúfoló”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume V, No. 1. “Legénycsúfoló”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
1:04

30 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume V, No. 2. “Mihálynapi köszöntõ”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume V, No. 2. “Mihálynapi köszöntõ”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
3:01

31 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume V, No. 3. “Leánykérõ”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume V, No. 3. “Leánykérõ”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
1:45

32 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VI, No. 1. “Keserves”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VI, No. 1. “Keserves”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
1:57

33 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VI, No. 2. “Madárdal”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VI, No. 2. “Madárdal”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
1:31

34 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VI, No. 3. “Csujogató”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VI, No. 3. “Csujogató”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
1:19

35 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VII, No. 1. “Bánat”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VII, No. 1. “Bánat”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
1:35

36 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VII, No. 2. “Ne láttalak volna”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VII, No. 2. “Ne láttalak volna”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
2:24

37 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VII, No. 3. “Elment a madárka”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VII, No. 3. “Elment a madárka”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
1:20

38 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VIII, No. 1. “Párnás táncdal”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VIII, No. 1. “Párnás táncdal”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
2:57

39 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VIII, No. 2. “Kánon”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VIII, No. 2. “Kánon”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
0:58

40 Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VIII, No. 3. “Isten veled!”
choir vocals:
Gyõr Girls’ Choir
recording of:
Twenty-seven choruses in 2 and 3 parts for children’s or female chorus & piano (or orchestra), Sz. 103, BB 111: Volume VIII, No. 3. “Isten veled!”
composer:
Béla Bartók (composer)
part of:
27 Two- and Three-Part Choruses, BB 111
2:39

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PQP

Aqui, toda a coleção.

Ouvi atentamente todos os 27 CDs até aqui, é claro, e creio que este seja o mais fraco de todos. As únicas obras que me deixaram feliz foram as obras finais para coro misto ou masculino. As peças destas coleções são arranjos de melodias recolhidas pelo compositor, muitas delas preservadas em fonogramas originais e transcrições. O processo de arranjar essas melodias pode ser entendido como um laboratório criativo em que o compositor começou a forjar técnicas composicionais que resultariam, mais adiante, em processos mais pessoais e complexos de sua própria lavra.

Béla Bartók (1881-1945): Hungarian folksong for voice & piano / Five songs for voice & piano / Five songs on poems by Endre Ady for voice & piano / Progressive pieces for voice and piano / Village scenes for female voice & piano / Slovak folksongs for four-part male choir / Hungarian folksongs for mixed choir (Hajdu / Török / Fellegi / Kovács / Lantos / Sziklay / Hungarian Army Male Chorus / Holásek / Slovak Philharmonic Chorus) #BRTK140 Vol. 27 de 29

1 Hungarian folksong for voice & piano, Sz. 109, BB 109 “Debrecennek van egy vize”
piano:
István Hajdu (pianist)
soprano vocals:
Erzsébet Török
recording of:
Hungarian folksong for voice & piano, Sz. 109 “Debrecennek van egy vize”
composer:
Béla Bartók (composer)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 109)
2:17

2 Five songs for voice & piano, Sz. 61, BB 71 (Op. 15): No. 1. “Tavasz: Az én szerelmem”
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Five songs for voice & orchestra, Sz. 61, BB 71 (Op.15): No. 1, “Tavasz: Az en szerelmem”
composer:
Béla Bartók (composer)
part of:
Five songs for voice & orchestra, Sz. 61, BB 71, op. 15
2:05

3 Five songs for voice & piano, Sz. 61, BB 71 (Op. 15): No. 2. “Nyár: Szomjasan vágyva”
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Five songs for voice & orchestra, Sz. 61, BB 71 (Op.15): No. 2, “Nyar: Szomjasan vagyva”
composer:
Béla Bartók (composer)
part of:
Five songs for voice & orchestra, Sz. 61, BB 71, op. 15
2:15

4 Five songs for voice & piano, Sz. 61, BB 71 (Op. 15): No. 3. “A vágyak éjjele”
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Five songs for voice & orchestra, Sz. 61, BB 71 (Op.15): No. 3, “A vagyak ejjele”
composer:
Béla Bartók (composer)
part of:
Five songs for voice & orchestra, Sz. 61, BB 71, op. 15
4:15

5 Five songs for voice & piano, Sz. 61, BB 71 (Op. 15): No. 4. “Tél: Színes álomban”
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Five songs for voice & orchestra, Sz. 61, BB 71 (Op.15): No. 4, “Tel: Szines almoban”
composer:
Béla Bartók (composer)
part of:
Five songs for voice & orchestra, Sz. 61, BB 71, op. 15
3:27

6 Five songs for voice & piano, Sz. 61, BB 71 (Op. 15): No. 5. “Õsz: Itt lent a völgyben”
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Five songs for voice & orchestra, Sz. 61, BB 71 (Op.15): No. 5, “Osz: Itt lent a volgyben”
composer:
Béla Bartók (composer)
part of:
Five songs for voice & orchestra, Sz. 61, BB 71, op. 15
3:07

7 Five songs on poems by Endre Ady for voice & piano, Sz. 63, BB 72 (Op. 16): No. 1. “Három õszi könnycsepp”
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Five songs on poems by Endre Ady for voice & piano, Sz. 63, BB 72 (Op. 16): No. 1. “Három õszi könnycsepp”
composer:
Béla Bartók (composer)
part of:
Five songs on poems by Endre Ady for voice & piano, Sz. 63, BB 72, op. 16
2:00

8 Five songs on poems by Endre Ady for voice & piano, Sz. 63, BB 72 (Op. 16): No. 2. “Az õszi lárma”
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Five songs on poems by Endre Ady for voice & piano, Sz. 63, BB 72 (Op. 16): No. 2. “Az õszi lárma”
composer:
Béla Bartók (composer)
part of:
Five songs on poems by Endre Ady for voice & piano, Sz. 63, BB 72, op. 16
3:16

9 Five songs on poems by Endre Ady for voice & piano, Sz. 63, BB 72 (Op. 16): No. 3. “Az ágyam hívogat”
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Five songs on poems by Endre Ady for voice & piano, Sz. 63, BB 72 (Op. 16): No. 3. “Az ágyam hívogat”
composer:
Béla Bartók (composer)
part of:
Five songs on poems by Endre Ady for voice & piano, Sz. 63, BB 72, op. 16
4:27

10 Five songs on poems by Endre Ady for voice & piano, Sz. 63, BB 72 (Op. 16): No. 4. “Egyedül a tengerrel”
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Five songs on poems by Endre Ady for voice & piano, Sz. 63, BB 72 (Op. 16): No. 4. “Egyedül a tengerrel”
composer:
Béla Bartók (composer)
part of:
Five songs on poems by Endre Ady for voice & piano, Sz. 63, BB 72, op. 16
4:13

11 Five songs on poems by Endre Ady for voice & piano, Sz. 63, BB 72 (Op. 16): No. 5. “Nem mehetek hozzád”
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Five songs on poems by Endre Ady for voice & piano, Sz. 63, BB 72 (Op. 16): No. 5. “Nem mehetek hozzád”
composer:
Béla Bartók (composer)
part of:
Five songs on poems by Endre Ady for voice & piano, Sz. 63, BB 72, op. 16
3:17

12 Progressive pieces for piano, Sz. 107/2, BB 105/37–66 “Mikrokosmos”: Volume 2. Párbeszéd
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
0:32

13 Progressive pieces for piano, Sz. 107/3, BB 105/67–96 “Mikrokosmos”: Volume 3: Magyar párosító III
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
0:38

14 Progressive pieces for piano, Sz. 107/3, BB 105/67–96 “Mikrokosmos”: Volume 3: Rókadal III
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
0:40

15 Progressive pieces for piano, Sz. 107/5, BB 105/122–139 “Mikrokosmos”: Volume 5: Új magyar népdal V
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
1:07

16 Village scenes for female voice & piano, Sz. 78, BB 87/a: I. Szénagyûjtéskor. “Ej! hrabajze len”
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Village scenes for female voice & piano, Sz. 78, BB 87/a: I. Szénagyûjtéskor. “Ej! hrabajze len”
composer:
Béla Bartók (composer)
part of:
Village scenes for female voice & piano, Sz. 78, BB 87a
1:07

17 Village scenes for female voice & piano, Sz. 78, BB 87/a: II. A menyasszonynál. “Letia pavy, letia”
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Village scenes for female voice & piano, Sz. 78, BB 87/a: II. A menyasszonynál. “Letia pavy, letia”
composer:
Béla Bartók (composer)
part of:
Village scenes for female voice & piano, Sz. 78, BB 87a
1:26

18 Village scenes for female voice & piano, Sz. 78, BB 87/a: III. Lakodalom. “A ty Anca krásna”
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Village scenes for female voice & piano, Sz. 78, BB 87/a: III. Lakodalom. “A ty Anca krásna”
composer:
Béla Bartók (composer)
part of:
Village scenes for female voice & piano, Sz. 78, BB 87a
2:48

19 Village scenes for female voice & piano, Sz. 78, BB 87/a: IV. Bölcsõdal. “Beli zemi, beli”
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Village scenes for female voice & piano, Sz. 78, BB 87/a: IV. Bölcsõdal. “Beli zemi, beli”
composer:
Béla Bartók (composer)
part of:
Village scenes for female voice & piano, Sz. 78, BB 87a
4:34

20 Village scenes for female voice & piano, Sz. 78, BB 87/a: V. Legénytánc. “Poza búcky, poza pen”
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Village scenes for female voice & piano, Sz. 78, BB 87/a: V. Legénytánc. “Poza búcky, poza pen”
composer:
Béla Bartók (composer)
part of:
Village scenes for female voice & piano, Sz. 78, BB 87a
1:54

21 Slovak folksongs for four-part male choir, Sz. 69, BB 77: No. 1. Andante assai parlando. “Hej, kedves jó pajtásim”
choir vocals:
Hungarian Army Male Chorus
recording of:
Slovak folksongs for four-part male choir, Sz. 69, BB 77: No. 1. Andante assai parlando. “Hej, kedves jó pajtásim”
composer:
Béla Bartók (composer)
part of:
Slovak folksongs for four-part male choir, Sz. 69, BB 77
1:11

22 Slovak folksongs for four-part male choir, Sz. 69, BB 77: No. 2. Allegretto. “Ha a háborúba kell indulnom. Ked’ ja smutny pojdem”
choir vocals:
Hungarian Army Male Chorus
recording of:
Slovak folksongs for four-part male choir, Sz. 69, BB 77: No. 2. Allegretto. “Ha a háborúba kell indulnom. Ked’ ja smutny pojdem”
composer:
Béla Bartók (composer)
part of:
Slovak folksongs for four-part male choir, Sz. 69, BB 77
0:29

23 Slovak folksongs for four-part male choir, Sz. 69, BB 77: No. 3. Allegro risoluto. “Gyerünk pajtás, gyerünk. Kamarádi mojí”
choir vocals:
Hungarian Army Male Chorus
recording of:
Slovak folksongs for four-part male choir, Sz. 69, BB 77: No. 3. Allegro risoluto. “Gyerünk pajtás, gyerünk. Kamarádi mojí”
composer:
Béla Bartók (composer)
part of:
Slovak folksongs for four-part male choir, Sz. 69, BB 77
0:37

24 Slovak folksongs for four-part male choir, Sz. 69, BB 77: No. 4. Andante assai, parlando. “Hej, hogyha majd elesem. Ej, a ked’ mna zabiju”
choir vocals:
Hungarian Army Male Chorus
recording of:
Slovak folksongs for four-part male choir, Sz. 69, BB 77: No. 4. Andante assai, parlando. “Hej, hogyha majd elesem. Ej, a ked’ mna zabiju”
composer:
Béla Bartók (composer)
part of:
Slovak folksongs for four-part male choir, Sz. 69, BB 77
1:20

25 Slovak folksongs for four-part male choir, Sz. 69, BB 77: No. 5. Allegretto. “Csatába indultam. Ked’ som siou na vojnu”
choir vocals:
Hungarian Army Male Chorus
recording of:
Slovak folksongs for four-part male choir, Sz. 69, BB 77: No. 5. Allegretto. “Csatába indultam. Ked’ som siou na vojnu”
composer:
Béla Bartók (composer)
part of:
Slovak folksongs for four-part male choir, Sz. 69, BB 77
1:12

26 Slovak folksongs for four-part choir & piano, Sz. 70, BB 78: No. 1. Andante. “Lányát az anya férjhez úgy adta. Zadala mamka”
piano:
Ladislav Holásek
choir vocals:
Slovak Philharmonic Chorus
recording of:
Négy tót népdal: 1. Lányát az anya
composer:
Béla Bartók (composer) (in 1916)
part of:
Négy tót népdal (Slovak folksongs) for four-part choir & piano, Sz. 70, BB 78
3:25

27 Slovak folksongs for four-part choir & piano, Sz. 70, BB 78: No. 2. Andante. “Havasi legelõn. Na holi, na holi”
piano:
Ladislav Holásek
choir vocals:
Slovak Philharmonic Chorus
recording of:
Négy tót népdal: 2. Havasi legelőn
composer:
Béla Bartók (composer) (in 1916)
part of:
Négy tót népdal (Slovak folksongs) for four-part choir & piano, Sz. 70, BB 78
0:42

28 Slovak folksongs for four-part choir & piano, Sz. 70, BB 78: No. 3. Allegro. Medzibrod: “Enni, inni van csak kedved. Rada pila, rada jedla”
piano:
Ladislav Holásek
choir vocals:
Slovak Philharmonic Chorus
recording of:
Négy tót népdal: 3. Enni, inni van csak kedved
composer:
Béla Bartók (composer) (in 1916)
part of:
Négy tót népdal (Slovak folksongs) for four-part choir & piano, Sz. 70, BB 78
0:34

29 Slovak folksongs for four-part choir & piano, Sz. 70, BB 78: No. 4. Allegro moderato. “Szóljon a duda már. Gajdujte, gajdence”
piano:
Ladislav Holásek
choir vocals:
Slovak Philharmonic Chorus
recording of:
Négy tót népdal: 4. Szóljon a duda már
composer:
Béla Bartók (composer) (in 1916)
part of:
Négy tót népdal (Slovak folksongs) for four-part choir & piano, Sz. 70, BB 78
0:39

30 Hungarian folksongs for mixed choir, Sz. 93, BB 99: No. 1 A rab
choir vocals:
Slovak Philharmonic Chorus
recording of:
Magyar népdalok: 1. A rab
composer:
Béla Bartók (composer) (in 1930)
part of:
Magyar népdalok (Hungarian folksongs) for mixed choir, Sz. 93, BB 99
2:52

31 Hungarian folksongs for mixed choir, Sz. 93, BB 99: No. 2. A bújdosó
choir vocals:
Slovak Philharmonic Chorus
recording of:
Magyar népdalok: 2. A bujdosó
composer:
Béla Bartók (composer) (in 1930)
part of:
Magyar népdalok (Hungarian folksongs) for mixed choir, Sz. 93, BB 99
4:27

32 Hungarian folksongs for mixed choir, Sz. 93, BB 99: No. 3. Az eladó lány
choir vocals:
Slovak Philharmonic Chorus
recording of:
Magyar népdalok: 3. Az eladó lány
composer:
Béla Bartók (composer) (in 1930)
part of:
Magyar népdalok (Hungarian folksongs) for mixed choir, Sz. 93, BB 99
1:35

33 Hungarian folksongs for mixed choir, Sz. 93, BB 99: No. 4. Dal
choir vocals:
Slovak Philharmonic Chorus
recording of:
Magyar népdalok: 4. Dal
composer:
Béla Bartók (composer) (in 1930)
part of:
Magyar népdalok (Hungarian folksongs) for mixed choir, Sz. 93, BB 99

BAIXE AQUI — DOWNLOAD HERE

PQP

Aqui, toda a coleção.

O que dizer das cantoras deste CD? Céus, todas elas são esplêndidas! Mesmo que não fosse Bartók, valeria a pena ouvi-las. Bem, Bartók arranjou ciclos de canções folclóricas durante praticamente toda sua vida ativa. Aqui temos ciclos escritos entre 1906 e 1907, assim como em 1917 e 1929. Em 1905, em uma carta dirigida a sua irmã, o compositor afirmou: “Tenho agora um novo plano: irei coletar as mais belas canções folclóricas húngaras e as elevarei ao nível de canções artísticas por ornamentá-las com o melhor acompanhamento pianístico possível.” Em 1905, o compositor empreendeu sua primeira viagem de estudos folclóricos, auxiliado pelo também compositor e amigo pessoal Zoltán Kodály. No começo destes estudos Bartók tomava foco somente no aspecto musical do material recolhido (ou seja, sua possibilidade de uso como material para composição) e restringiu a coleta a territórios de fala húngara. Mais tarde se deu conta do potencial científico do trabalho que estava realizando e o estendeu também a territórios com populações eslovacas e romenas. Este material folclórico se caracterizava por ser musicalmente baseado em antigos modos eclesiásticos, gregos e pentatônicos. Bartók afirmava que conhecer este repertório foi essencial no desenvolvimento de sua estética por “liberá-lo do jugo tirânico das tonalidades maiores e menores” e “levá-lo a uma nova concepção da escala cromática, em que todos os tons poderiam ser considerados de igual valor e utilizados de forma livre e independente.” Esta visão aproxima a estética de Bartók do conceito de Emancipação da Dissonância, paralelamente explorado por Arnold Schoenberg.

Béla Bartók (1881-1945): Hungarian folksongs for voice & piano / Eight Hungarian folksongs for voice & piano / Twenty Hungarian folksongs for voice & piano (Kovács, Fellegi, Sziklay, Lantos) #BRTK140 Vol. 26 de 29

1 Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 1. Elindultam szép hazámbul
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 1. Elindultam szép hazámbul
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 1, Sz. 33, BB 42
0:50

2 Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 2. Által mennék én a Tiszán ladikon
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 2. Által mennék én a Tiszán ladikon
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 1, Sz. 33, BB 42
0:40

3 Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 3. Fehér László lovat lopott
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 3. Fehér László lovat lopott
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 1, Sz. 33, BB 42
2:43

4 Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 4. A gyulai kert alatt
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 4. A gyulai kert alatt
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 1, Sz. 33, BB 42
0:46

5 Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 5. A kertmegi kert alatt
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 5. A kertmegi kert alatt
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 1, Sz. 33, BB 42
0:26

6 Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 6. Ablakomba, ablakomba
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 6. Ablakomba, ablakomba
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 1, Sz. 33, BB 42
0:52

7 Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 7. Száraz ágtól messze virít
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 7. Száraz ágtól messze virít
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 1, Sz. 33, BB 42
1:41

8 Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 8. Végig mentem a tárkányi
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 8. Végig mentem a tárkányi
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 1, Sz. 33, BB 42
0:33

9 Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 9. Nem messze van ide kis Margitta
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 9. Nem messze van ide kis Margitta
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 1, Sz. 33, BB 42
3:23

10 Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 10. Szánt a babám csireg, csörög
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Hungarian folksongs for voice & piano, Volume 1, Sz. 33, BB 42: No. 10. Szánt a babám csireg, csörög
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 1, Sz. 33, BB 42
0:43

11 Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 1. Tiszán innen, Tiszán túl
piano:
Loránt Szücs
soprano vocals:
Terézia Csajbók
recording of:
Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 1. Tiszán innen, Tiszán túl
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 2, Sz. 33a, BB 43
2:16

12 Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 2. Erdõk, völgyek, szûk ligetek
piano:
Loránt Szücs
soprano vocals:
Terézia Csajbók
recording of:
Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 2. Erdõk, völgyek, szûk ligetek
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 2, Sz. 33a, BB 43
2:12

13 Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 3. Olvad a hó
piano:
Loránt Szücs
soprano vocals:
Terézia Csajbók
recording of:
Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 3. Olvad a hó
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 2, Sz. 33a, BB 43
1:34

14 Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 4. Ha bemegyek a csárdába
piano:
Loránt Szücs
soprano vocals:
Terézia Csajbók
recording of:
Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 4. Ha bemegyek a csárdába
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 2, Sz. 33a, BB 43
1:52

15 Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 5. Fehér László lovat lopott
piano:
Loránt Szücs
soprano vocals:
Terézia Csajbók
recording of:
Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 5. Fehér László lovat lopott
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 2, Sz. 33a, BB 43
2:04

16 Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 6. Megittam a piros bort
piano:
Loránt Szücs
soprano vocals:
Terézia Csajbók
recording of:
Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 6. Megittam a piros bort
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 2, Sz. 33a, BB 43
0:39

17 Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 7. Ez a kislány gyöngyöt fûz
piano:
Loránt Szücs
soprano vocals:
Terézia Csajbók
recording of:
Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 7. Ez a kislány gyöngyöt fûz
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 2, Sz. 33a, BB 43
0:59

18 Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 8. Sej, mikor engem katonának visznek
piano:
Loránt Szücs
soprano vocals:
Terézia Csajbók
recording of:
Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 8. Sej, mikor engem katonának visznek
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 2, Sz. 33a, BB 43
1:14

19 Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 9. Még azt mondják
piano:
Loránt Szücs
soprano vocals:
Terézia Csajbók
recording of:
Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 9. Még azt mondják
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 2, Sz. 33a, BB 43
0:53

20 Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 10. Kis kece lányom
piano:
Loránt Szücs
soprano vocals:
Terézia Csajbók
recording of:
Hungarian folksongs for voice & piano, Sz. 33a, BB 43: Volume 2, No. 10. Kis kece lányom
composer:
Béla Bartók (composer)
part of:
Hungarian Folksongs for Voice & Piano, Volume 2, Sz. 33a, BB 43
1:18

21 Eight Hungarian folksongs for voice & piano, Sz. 64, BB 47: I. Adagio. Fekete fõd
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Eight Hungarian Folksongs: No. 1. Fekete főd, fehér az én zsebkendőm
composer:
Béla Bartók (composer) (in 1907)
part of:
Eight Hungarian Folksongs
1:26

22 Eight Hungarian folksongs for voice & piano, Sz. 64, BB 47: II. Andante. Istenem, Istenem
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Eight Hungarian Folksongs: No. 2. Istenem, Istenem, áraszd meg a vizet
composer:
Béla Bartók (composer) (in 1907)
part of:
Eight Hungarian Folksongs
1:12

23 Eight Hungarian folksongs for voice & piano, Sz. 64, BB 47: III. Allegretto. Asszonyok, asszonyok
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Eight Hungarian Folksongs: No. 3. Asszonyok, asszonyok, had’ legyek társatok
composer:
Béla Bartók (composer) (in 1907)
part of:
Eight Hungarian Folksongs
0:56

24 Eight Hungarian folksongs for voice & piano, Sz. 64, BB 47: IV. Sostenuto, rubato. Annyi bánat
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Eight Hungarian Folksongs: No. 4. Annyi bánat a szívemen
composer:
Béla Bartók (composer) (in 1907)
part of:
Eight Hungarian Folksongs
1:06

25 Eight Hungarian folksongs for voice & piano, Sz. 64, BB 47: V. Allegro. Ha kimegyek
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Eight Hungarian Folksongs: No. 5. Ha kimegyek arr’ a magos tetőre
composer:
Béla Bartók (composer) (in 1907)
part of:
Eight Hungarian Folksongs
1:09

26 Eight Hungarian folksongs for voice & piano, Sz. 64, BB 47: VI. Sostenuto. Töltik a nagyerdõ
útját
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Eight Hungarian Folksongs: No. 6. Töltik a nagyerdő útját
composer:
Béla Bartók (composer) (in 1917)
part of:
Eight Hungarian Folksongs
1:35

27 Eight Hungarian folksongs for voice & piano, Sz. 64, BB 47: VII. Sostenuto. Eddig való dolgom
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Eight Hungarian Folksongs: No. 7. Eddig való dolgom a tavaszi szántás
composer:
Béla Bartók (composer) (in 1917)
part of:
Eight Hungarian Folksongs
1:48

28 Eight Hungarian folksongs for voice & piano, Sz. 64, BB 47: VIII. Allegro moderato. Olvad a hó
piano:
Ádám Fellegi
soprano vocals:
Eszter Kovács
recording of:
Eight Hungarian Folksongs: No. 8. Olvad a hó, csárdás kis angyalom
composer:
Béla Bartók (composer) (in 1917)
part of:
Eight Hungarian Folksongs
1:03

Sad Songs:
29 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 1: Szomorú nóták, No. 1. A tömlöcben
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 1: Szomorú nóták, No. 1. A tömlöcben
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
3:52

30 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 1: Szomorú nóták, No. 2. Régi keserves
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 1: Szomorú nóták, No. 2. Régi keserves
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
2:32

31 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 1: Szomorú nóták, No. 3. Bujdosó ének
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 1: Szomorú nóták, No. 3. Bujdosó ének
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
2:08

32 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 1: Szomorú nóták, No. 4. Pásztornóta
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 1: Szomorú nóták, No. 4. Pásztornóta
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
1:52

Dancing Songs:
33 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 2: Táncdalok, No. 5. Székely lassú
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 2: Táncdalok, No. 5. Székely lassú
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
2:39

34 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 2: Táncdalok, No. 6. Székely friss
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 2: Táncdalok, No. 6. Székely friss
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
1:11

35 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 2: Táncdalok, No. 7. Kanásztánc
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 2: Táncdalok, No. 7. Kanásztánc
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
1:47

36 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 2: Táncdalok, No. 8. Hatforintos nóta
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 2: Táncdalok, No. 8. Hatforintos nóta
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
1:48

Diverse Songs:
37 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 3: Vegyes dalok, No. 9. Juhászcsúfoló
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 3: Vegyes dalok, No. 9. Juhászcsúfoló
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
2:05

38 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 3: Vegyes dalok, No. 10. Tréfás nóta
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 3: Vegyes dalok, No. 10. Tréfás nóta
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
1:39

39 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 3: Vegyes dalok, No. 11. Párosító 1
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 3: Vegyes dalok, No. 11. Párosító 1
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
1:47

40 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 3: Vegyes dalok, No. 12. Párosító 2
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 3: Vegyes dalok, No. 12. Párosító 2
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
1:24

41 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 3: Vegyes dalok, No. 13. Pár-ének
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 3: Vegyes dalok, No. 13. Pár-ének
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
3:19

42 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 3: Vegyes dalok, No. 14. Panasz
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 3: Vegyes dalok, No. 14. Panasz
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
1:31

43 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 3: Vegyes dalok, No. 15. Bordal
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 3: Vegyes dalok, No. 15. Bordal
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
1:18

New Style Songs:
44 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 4: Új dalok, No. 16. Allegro. Hej, édesanyám
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 4: Új dalok, No. 16. Allegro. Hej, édesanyám
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
1:00

45 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 4: Új dalok, No. 17. Più allegro. Érik a ropogós cseresznye
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 4: Új dalok, No. 17. Più allegro. Érik a ropogós cseresznye
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
0:30

46 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 4: Új dalok, No. 18. Moderato. Már Dobozon
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 4: Új dalok, No. 18. Moderato. Már Dobozon
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
1:46

47 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 4: Új dalok, No. 19. Allegretto. Sárga kukoricaszár
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 4: Új dalok, No. 19. Allegretto. Sárga kukoricaszár
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
0:28

48 Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 4: Új dalok, No. 20. Allegro non troppo. Búza, búza
piano:
István Lantos (pianist)
soprano vocals:
Erika Sziklay (soprano)
recording of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98: Volume 4: Új dalok, No. 20. Allegro non troppo. Búza, búza
composer:
Béla Bartók (composer)
part of:
Twenty Hungarian folksongs for voice & piano in four volumes, Sz. 92, BB 98
2:18

BAIXE AQUI — DOWNLOAD HERE

PQP

Aqui, toda a coleção.

Um lindo CD. Tudo começa pelo final… Tudo começa pelo final de Mikrokosmos, que está no início do CD. Aquilo ali pode ser, sim, tocado em recitais de pianistas, pois são peças ao mesmo tempo difíceis, estimulantes e belas. E a Suíte para 2 Pianos, originalmente escrita para orquestra, é uma das obras que inauguraram o estilo mais maduro de Bartók — ela ainda tem raízes no romantismo tardio, mas o uso de elementos da música folclórica já está presente de forma impressionante e funcionante. O desempenho dos pianistas é novamente espetacular, com destaque para a presença de Ditta Pásztory-Bartók — sim, a viúva do compositor — na Suíte. De modo geral, a interpretação é afiada, cortante, fresca e de grande propulsão rítmica. A qualidade do som é boa.

Béla Bartók (1881-1945): Progressive pieces for piano “Mikrokosmos” / Seven pieces from “Mikrokosmos” for 2 pianos / Suite for 2 pianos (Zempléni / Pásztory-Bartók / Tusa / Comensoli) #BRTK140 Vol. 25 de 29

1 Progressive pieces for piano, Sz. 107/6, BB 105/140–153 “Mikrokosmos”: Volume 6: CXL. Szabad változatok / CXLI. Tükrözõdés
piano:
Kornél Zempléni
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume VI, No. 140: Free Variations (Allegro molto)
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume VI
3:09

2 Progressive pieces for piano, Sz. 107/6, BB 105/140–153 “Mikrokosmos”: Volume 6: CXLII. Mese a kis légyrõl
piano:
Kornél Zempléni
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume VI, No. 142: From the Diary of a Fly
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume VI
1:35

3 Progressive pieces for piano, Sz. 107/6, BB 105/140–153 “Mikrokosmos”: Volume 6: CXLIII. Tört hangzatok váltakozva / CXLIV. Kis másod- és nagy hetedhangközök
piano:
Kornél Zempléni
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume VI, No. 143: Divided Arpeggios
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume VI
6:32

4 Progressive pieces for piano, Sz. 107/6, BB 105/140–153 “Mikrokosmos”: Volume 6: CXLV. Kromatikus invenció
piano:
Kornél Zempléni
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume VI, No. 145: Chromatic Invention
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume VI
2:27

5 Progressive pieces for piano, Sz. 107/6, BB 105/140–153 “Mikrokosmos”: Volume 6: CXLVI. Ostinato / CXLVII. Induló
piano:
Kornél Zempléni
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume VI, No. 146: Ostinato (Vivacissimo)
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume VI
4:14

6 Progressive pieces for piano, Sz. 107/6, BB 105/140–153 “Mikrokosmos”: Volume 6: CXLVIII. Hat tánc bolgár ritmusban I / XLIX. Hat tánc bolgár ritmusban II / L. Hat tánc bolgár ritmusban III / LI. Hat tánc bolgár ritmusban IV / LII. Hat tánc bolgár ritmusban V / LIII. Hat tánc bolgár ritmusban VI
piano:
Kornél Zempléni
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume VI, No. 148: Six Dances in Bulgarian Rhythm, No. 1
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume VI
9:18

7 Seven pieces from Mikrokosmos for 2 pianos, Sz. 108, BB 120: No. 69. Allegro molto. Bolgár ritmus
piano:
Ditta Pásztory-Bartók and Erzsébet Tusa (pianist)
recording of:
Pieces from Mikrokosmos, Sz. 108, BB. 120: No. 1. Bulgarian Rhythm
composer and arranger:
Béla Bartók (composer)
version of:
Mikrokosmos, Sz. 107, BB 105: Volume IV, No. 113: Bulgarian Rhythm (Allegro molto)part of:
Pieces from Mikrokosmos, Sz. 108, BB. 120
1:11

8 Seven pieces from Mikrokosmos for 2 pianos, Sz. 108, BB 120: No. 113. Moderato. Akkordtanulmány
piano:
Ditta Pásztory-Bartók and Erzsébet Tusa (pianist)
recording of:
Pieces from Mikrokosmos, Sz. 108, BB. 120: No. 2. Chord and Trill Study
composer and arranger:
Béla Bartók (composer)
version of:
Mikrokosmos, Sz. 107, BB 105: Volume III, No. 69: Study in Chordspart of:
Pieces from Mikrokosmos, Sz. 108, BB. 120
1:07

9 Seven pieces from Mikrokosmos for 2 pianos, Sz. 108, BB 120: No. 123. Allegro molto. Perpetuum Mobile
piano:
Ditta Pásztory-Bartók and Erzsébet Tusa (pianist)
recording of:
Pieces from Mikrokosmos, Sz. 108, BB. 120: No. 3. Perpetuum mobile
composer and arranger:
Béla Bartók (composer)
version of:
Mikrokosmos, Sz. 107, BB 105: Volume V, No. 135: Perpetuum mobile (Allegro molto)part of:
Pieces from Mikrokosmos, Sz. 108, BB. 120
0:47

10 Seven pieces from Mikrokosmos for 2 pianos, Sz. 108, BB 120: No. 127. Allegro. Kánon és megfordítása
piano:
Ditta Pásztory-Bartók and Erzsébet Tusa (pianist)
recording of:
Pieces from Mikrokosmos, Sz. 108, BB. 120: No. 4. Short Canon and Its Inversion
composer and arranger:
Béla Bartók (composer)
version of:
Mikrokosmos, Sz. 107, BB 105: Volume V, No. 123: Staccato and Legatopart of:
Pieces from Mikrokosmos, Sz. 108, BB. 120
0:50

11 Seven pieces from Mikrokosmos for 2 pianos, Sz. 108, BB 120: No. 135. Ben ritmato. Új magyar népdal
piano:
Ditta Pásztory-Bartók and Erzsébet Tusa (pianist)
recording of:
Pieces from Mikrokosmos, Sz. 108, BB. 120: No. 5. New Hungarian Folksong
composer and arranger:
Béla Bartók (composer)
version of:
Mikrokosmos, Sz. 107, BB 105: Volume V, No. 127: New Hungarian Folk Songpart of:
Pieces from Mikrokosmos, Sz. 108, BB. 120
1:00

12 Seven pieces from Mikrokosmos for 2 pianos, Sz. 108, BB 120: No. 145. Allegro. Kromatikus invenció
piano:
Ditta Pásztory-Bartók and Erzsébet Tusa (pianist)
recording of:
Pieces from Mikrokosmos, Sz. 108, BB. 120: No. 6. Chromatic Invention
composer and arranger:
Béla Bartók (composer)
version of:
Mikrokosmos, Sz. 107, BB 105: Volume VI, No. 145: Chromatic Inventionpart of:
Pieces from Mikrokosmos, Sz. 108, BB. 120
1:14

13 Seven pieces from Mikrokosmos for 2 pianos, Sz. 108, BB 120: No. 146. Vivacissimo. Ostinato
piano:
Ditta Pásztory-Bartók and Erzsébet Tusa (pianist)
recording of:
Pieces from Mikrokosmos, Sz. 108, BB. 120: No. 7. Ostinato
composer and arranger:
Béla Bartók (composer)
version of:
Mikrokosmos, Sz. 107, BB 105: Volume VI, No. 146: Ostinato (Vivacissimo)part of:
Pieces from Mikrokosmos, Sz. 108, BB. 120
2:41

14 Suite for 2 pianos freely arranged after Suite No. 2 for orchestra, Sz. 115/a, BB 122 (Op. 4/a): I. Comodo. Serenata
piano:
Mária Comensoli and Ditta Pásztory-Bartók
phonographic copyright by:
Hungaroton (in 1988)
recording of:
Suite for Two Pianos, op. 4b, Sz. 115a, BB 122: I. Serenata
composer:
Béla Bartók (composer) (in 1941)
part of:
Suite for Two Pianos, op. 4b, Sz. 115a, BB 122
6:31

15 Suite for 2 pianos freely arranged after Suite No. 2 for orchestra, Sz. 115/a, BB 122 (Op. 4/a): II. Allegro diabolico
piano:
Mária Comensoli and Ditta Pásztory-Bartók
phonographic copyright by:
Hungaroton (in 1988)
recording of:
Suite for Two Pianos, op. 4b, Sz. 115a, BB 122: II. Allegro diabolico
composer:
Béla Bartók (composer) (in 1941)
part of:
Suite for Two Pianos, op. 4b, Sz. 115a, BB 122
9:02

16 Suite for 2 pianos freely arranged after Suite No. 2 for orchestra, Sz. 115/a, BB 122 (Op. 4/a): III. Andante. Scena della Puszta
piano:
Mária Comensoli and Ditta Pásztory-Bartók
phonographic copyright by:
Hungaroton (in 1988)
recording of:
Suite for Two Pianos, op. 4b, Sz. 115a, BB 122: III. Scena della Puszta
composer:
Béla Bartók (composer) (in 1941)
part of:
Suite for Two Pianos, op. 4b, Sz. 115a, BB 122
7:29

17 Suite for 2 pianos freely arranged after Suite No. 2 for orchestra, Sz. 115/a, BB 122 (Op. 4/a): IV. Comodo. Per finire
piano:
Mária Comensoli and Ditta Pásztory-Bartók
phonographic copyright by:
Hungaroton (in 1988)
recording of:
Suite for Two Pianos, op. 4b, Sz. 115a, BB 122: IV. Per finire
composer:
Béla Bartók (composer) (in 1941)
part of:
Suite for Two Pianos, op. 4b, Sz. 115a, BB 122
6:31

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Mikrokosmos é a obra didática mais importante de compositor Béla Bartók, escrita entre 1926 e 1937 e publicada em 1940. A obra é uma coleção em seis volumes de 153 peças curtas e 33 exercícios para piano, piano e voz e dois pianos. Ao longo da coleção, Bartók introduz ao estudante distintas problemáticas rítmicas, melódicas, harmônicas e pianísticas. Apesar de terem sido criadas inicialmente com propósitos didáticos é comum o uso de peças do Mikrokosmos como peças de concerto, principalmente dos últimos volumes. Péter Bartók, filho de Béla, começou a estudar piano em 1936 com o pai e afirmou ter servido como uma espécie de “cobaia” para as peças, que o compositor escrevia mais rápido do que ele conseguia estudar. Bartók nunca havia ensinado piano a alunos iniciantes, e foi auxiliado pela professora de piano Margit Varró a organizar a obra de uma forma que fosse mais acessível a principiantes. O Mikrokosmos é particularmente notável como método de ensino de piano pelo abrangente uso de material musical não tradicional. Neste sentido contrasta com outros métodos e estudos de uso comum, como os de Czerny e Cramer. Desde as primeiras peças o estudante é introduzido tanto a escalas diatônicas tonais quanto modais, bem como a escalas pentatônicas, exóticas, politonalidade, formas canônicas e outros aspectos musicais típicos da música moderna. Por estas características a obra é especialmente útil como uma introdução à música da primeira metade do século XX.

Béla Bartók (1881-1945): Progressive pieces for piano “Mikrokosmos” (Szücs) #BRTK140 Vol. 24 de 29

1 Progressive pieces for piano, Sz. 107/3, BB 105/67–96 “Mikrokosmos”: Volume 3: LXXXI. Bolyongás / LXXXII. Scherzo / LXXXIII. Dallam meg-megszakítva / LXXXIV. Mulatság / LXXXV. Tört akkordok / LXXXVI. Két dúr pentachord
piano:
Loránt Szücs
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume III, No. 81: Wandering
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume III
6:06

2 Progressive pieces for piano, Sz. 107/3, BB 105/67–96 “Mikrokosmos”: Volume 3: LXXXVII. Változatok / LXXXVIII. Sípszó / LXXXIX. Négyszólamúság / XC. Oroszos
piano:
Loránt Szücs
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume III, No. 87: Variations (Allegro moderato)
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume III
4:09

3 Progressive pieces for piano, Sz. 107/3, BB 105/67–96 “Mikrokosmos”: Volume 3: XCI. Kromatikus invenció I / XCII. Kromatikus invenció II
piano:
Loránt Szücs
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume III, No. 91: Chromatic Invention (1)
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume III
1:55

4 Progressive pieces for piano, Sz. 107/3, BB 105/67–96 “Mikrokosmos”: Volume 3: XCIII. Négyszólamúság / XCIV. Hol volt, hol nem volt… / XCVa. Rókadal / XCVI. Zökkenõk
piano:
Loránt Szücs
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume III, No. 93: In Four Parts (2)
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume III
3:15

5 Progressive pieces for piano, Sz. 107/4, BB 105/97–121 “Mikrokosmos”: Volume 4: XCVII. Notturno / XCVIII. Alávetés / XCIX. Kézkeresztezés / C. Népdalféle / CI. Szûkített ötödnyi távolság
piano:
Loránt Szücs
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume IV, No. 97: Notturno
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume IV
5:32

6 Progressive pieces for piano, Sz. 107/4, BB 105/97–121 “Mikrokosmos”: Volume 4: CII. Felhangok / CIII. Moll és dúr / CIVa – CIVb. Vándorlás egyik hangnembõl a másikba / CV. Játék (ötfokú hangsorral) / CVI. Gyermekdal / CVII. Dallam ködgomolyban / CVIII. Birkózás
piano:
Loránt Szücs
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume IV, No. 102: Harmonics
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume IV
8:24

7 Progressive pieces for piano, Sz. 107/4, BB 105/97–121 “Mikrokosmos”: Volume 4: CIX. Bali szigetén / CX. És összecsendülnek-pendülnek a hangok / CXI. Intermezzo / CXII. Változatok egy népdal fölött
piano:
Loránt Szücs
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume IV, No. 109: From the Island of Bali
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume IV
6:15

8 Progressive pieces for piano, Sz. 107/4, BB 105/97–121 “Mikrokosmos”: Volume 4: CXIII. Bolgár ritmus I / CXIV. Téma és fordítása / CXV. Bolgár ritmus II / CXVI. Nóta / CXVII. Bourrée
piano:
Loránt Szücs
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume IV, No. 113: Bulgarian Rhythm (Allegro molto)
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume IV
5:33

9 Progressive pieces for piano, Sz. 107/4, BB 105/97–121 “Mikrokosmos”: Volume 4: CXVIII. Triolák 9 / CXIX. 3/4-es tánc / CXX. Kvintakkordok / CXXI. Kétszólamú tanulmány
piano:
Loránt Szücs
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume IV, No. 118: Triplets in 9/8 Time
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume IV
4:22

10 Progressive pieces for piano, Sz. 107/5, BB 105/122–139 “Mikrokosmos”: Volume 5: CXXII. Akkordok egyszerre és egymás ellen / CXXIIIa – CXXIIIb. Staccato and legato / CXXIV. Staccato
piano:
Kornél Zempléni
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume V, No. 122: Chords Together and Opposed (Moltovivace)
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume V
3:08

11 Progressive pieces for piano, Sz. 107/5, BB 105/122–139 “Mikrokosmos”: Volume 5: CXXV. Csónakázás / CXXVI. Változó ütem / CXXVIII. Dobbantós tánc
piano:
Kornél Zempléni
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume V, No. 125: Boating
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume V
3:44

12 Progressive pieces for piano, Sz. 107/5, BB 105/122–139 “Mikrokosmos”: Volume 5: CXXIX. Váltakozó tercek / CXXX. Falusi tréfa / CXXXI. Kvartok
piano:
Kornél Zempléni
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume V, No. 129: Alternating Thirds (Allegro molto)
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume V
6:00

13 Progressive pieces for piano, Sz. 107/5, BB 105/122–139 “Mikrokosmos”: Volume 5: CXXXII. Nagy másodhangközök egyszerre és törve / CXXXIII. Szinkópák / CXXXIV. Gyakorlatok kettõsfogásban / CXXXV. Perpetuum mobile
piano:
Kornél Zempléni
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume V, No. 132: Major Seconds Broken and Together
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume V
2:12

14 Progressive pieces for piano, Sz. 107/5, BB 105/122–139 “Mikrokosmos”: Volume 5: CXXXVI. Hangsorok egészhangokból / CXXXVII. Unisono / CXXXVIII. Dudamuzsika / CXLIX. Paprikajancsi
piano:
Kornél Zempléni
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume V, No. 136: Whole-Tone Scales
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume V

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3 Rondos on Slovak folktunes é um belo início para este volume 23. É uma coleção de três pequenas peças para piano. Como já cansamos de escrever, Béla Bartók teve grande interesse artístico pela música folclórica, principalmente da Romênia e da Hungria dos dias modernos. Estes rondós foram compostos em 1916, junto com muitas outras composições baseadas em canções folclóricas húngaras e romenas. O primeiro é uma transcrição um tanto fiel de uma melodia infantil chamada Lánc, lánc, eszterlánc, com algumas ornamentações, que fez numa das suas viagens. Os outros dois rondós foram compostos em 1927 e seguem um estilo muito diferente do primeiro. Suas estruturas são muito mais complexas e os ritmos são mais enfatizados do que no primeiro rondó. Béla Bartók admitiu ter tentado incluir um terceiro tema para o segundo rondó, ao passo que os rondós geralmente têm apenas dois temas, mas acabou decidindo não fazê-lo.

A Petite Suite , Sz. 105, BB 113 é uma redução para piano de seis dos 44 Duos para Dois Violinos de Bartók , arranjados pelo compositor em 1936 e já postados por nós nesta coleção.

Teremos tempo de falar no Mikrokosmos mais adiante, pois ele tomará todo o volume 24 e boa parte do 25. Mas adiantamos que trata-se da obra didática mais importante de Béla Bartók, escrita entre 1926 e 1937 e publicada em 1940. Ao longo da coleção, Bartók introduz ao estudante distintos problemas rítmicos, melódicos, harmônicos e pianísticos. É claro que hoje o Mikrokosmos é também peça de concerto, tal sua qualidade.

O que dizer das interpretações? Olha, imbatíveis, sensacionais!

Béla Bartók (1881-1945): 3 Rondos on Slovak folktunes / Petite Suite for piano / Progressive pieces for piano “Mikrokosmos” (Gabos / Tusa / Szücs) #BRTK140 Vol. 23 de 29

1 Rondos on Slovak folktunes, for piano, Sz. 84, BB 92: No. 1. Andante
piano:
Gábor Gabos (pianist)
recording of:
3 Rondos on Slovak Folktunes, Sz. 84, BB 92, No. 1: Andante
composer:
Béla Bartók (composer)
part of:
3 Rondos on Slovak Folktunes, Sz. 84, BB 92
2:52

2 Rondos on Slovak folktunes, for piano, Sz. 84, BB 92: No. 2. Vivacissimo
piano:
Gábor Gabos (pianist)
recording of:
3 Rondos on Slovak Folktunes, Sz. 84, BB 92, No. 2: Vivacissimo
composer:
Béla Bartók (composer)
part of:
3 Rondos on Slovak Folktunes, Sz. 84, BB 92
2:24

3 Rondos on Slovak folktunes, for piano, Sz. 84, BB 92: No. 3. Allegro molto
piano:
Gábor Gabos (pianist)
recording of:
3 Rondos on Slovak Folktunes, Sz. 84, BB 92, No. 3: Allegro molto
composer:
Béla Bartók (composer)
part of:
3 Rondos on Slovak Folktunes, Sz. 84, BB 92
2:44

4 Petite Suite for piano arranged from fourty-four violin duos Nos. 28, 38, 43, 16, 36, & 32, Sz.105, BB 113: No. 1. Lassú
piano:
Erzsébet Tusa (pianist)
recording of:
Petite Suite, Sz. 105, BB 113: I. Slow Tune
composer:
Béla Bartók (composer) (in 1931)
arranger:
Béla Bartók (composer) (in 1936)
version of:
44 Duos for Two Violins: No. 28, Bánkódáspart of:
Petite Suite, Sz. 105, BB 113
2:17

5 Petite Suite for piano arranged from fourty-four violin duos Nos. 28, 38, 43, 16, 36, & 32, Sz.105, BB 113: No. 2. Forgatós
piano:
Erzsébet Tusa (pianist)
recording of:
Petite Suite, Sz. 105, BB 113: II. Wallachian Dance
composer:
Béla Bartók (composer) (in 1931)
arranger:
Béla Bartók (composer) (in 1936)
version of:
44 Duos for Two Violins: No. 32, Máramarosi táncpart of:
Petite Suite, Sz. 105, BB 113
0:48

6 Petite Suite for piano arranged from fourty-four violin duos Nos. 28, 38, 43, 16, 36, & 32, Sz.105, BB 113: No. 3. Pengetõs
piano:
Erzsébet Tusa (pianist)
recording of:
Petite Suite, Sz. 105, BB 113: III. Whirling Dance
composer:
Béla Bartók (composer) (in 1931)
arranger:
Béla Bartók (composer) (in 1936)
version of:
44 Duos for Two Violins: No. 38, Forgatóspart of:
Petite Suite, Sz. 105, BB 113
1:22

7 Petite Suite for piano arranged from fourty-four violin duos Nos. 28, 38, 43, 16, 36, & 32, Sz.105, BB 113: No. 4. Oroszos
piano:
Erzsébet Tusa (pianist)
recording of:
Petite Suite, Sz. 105, BB 113: IV. Quasi pizzicato
composer:
Béla Bartók (composer) (in 1931)
arranger:
Béla Bartók (composer) (in 1936)
version of:
44 Duos for Two Violins: No. 43, Pizziccatopart of:
Petite Suite, Sz. 105, BB 113
0:59

8 Petite Suite for piano arranged from fourty-four violin duos Nos. 28, 38, 43, 16, 36, & 32, Sz.105, BB 113: No. 5. Dudás
piano:
Erzsébet Tusa (pianist)
recording of:
Petite Suite, Sz. 105, BB 113: V. Ruthenian Dance
composer:
Béla Bartók (composer) (in 1931)
arranger:
Béla Bartók (composer) (in 1936)
version of:
44 Duos for Two Violins: No. 16, Burleszkpart of:
Petite Suite, Sz. 105, BB 113
1:10

9 Progressive pieces for piano, Sz. 107/1, BB 105/1–36 “Mikrokosmos”: Volume 1: I – VI. Hat unisono dallam
piano:
Loránt Szücs
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume I, No. 1: Six Unison Melodies, No. 1
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume I
2:55

10 Progressive pieces for piano, Sz. 107/1, BB 105/1–36 “Mikrokosmos”: Volume 1: VII. Kóta ponttal / VIII. Hangismétlés / IX. Szinkópák / X. Két kézzel felváltva
piano:
Loránt Szücs
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume I, No. 7: Dotted Notes
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume I
2:44

11 Progressive pieces for piano, Sz. 107/1, BB 105/1–36 “Mikrokosmos”: Volume 1: XI. Párhuzamos mozgás / XII. Tükörkép / XIII. Fekvésváltozás / XIV. Kérdés és felelet / XV. Falusi dal / XVI. Párhuzamos mozgás helyzetváltozással / XVII. Ellenmozgás
piano:
Loránt Szücs
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume I, No. 11: Parallel Motion
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume I
4:23

12 Progressive pieces for piano, Sz. 107/1, BB 105/1–36 “Mikrokosmos”: Volume 1: XVIII – XXI. Négy unisono dallam
piano:
Loránt Szücs
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume I, No. 18: Four Unison Melodies (1)
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume I
2:01

13 Progressive pieces for piano, Sz. 107/1, BB 105/1–36 “Mikrokosmos”: Volume 1: XXII. Imitáció és ellenpont / XXIII. Imitáció és fordítása / XXIV. Pastorale / XXV. Imitáció és fordítása
piano:
Loránt Szücs
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume I, No. 22: Imitation and Counterpoint
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume I
2:58

14 Progressive pieces for piano, Sz. 107/1, BB 105/1–36 “Mikrokosmos”: Volume 1: XXVI. Hangismétlés / XXVII. Szinkópák / XXVIII. Kánon oktávában / XXIX. Imitáció tükörképben / XXX. Kánon az alsó kvintben / XXXI. Tánc kánon-formában
piano:
Loránt Szücs
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume I, No. 26: Repetition (2)
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume I
3:44

15 Progressive pieces for piano, Sz. 107/1, BB 105/1–36 “Mikrokosmos”: Volume 1: XXXII. Dór-hangsor / XXXIII. Lassú tánc / XXXIV. Fríg hangsor / XXXV. Korál / . Szabad kánon
piano:
Loránt Szücs
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume I, No. 32: In Dorian Mode
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume I
4:49

16 Progressive pieces for piano, Sz. 107/2, BB 105/37–66 “Mikrokosmos”: Volume 2: XXXVII. Líd hangsor / XXXVIII – XLIX. Staccato and legato / XL. Délszlávos / XVI. Dallam kísérettel
piano:
Loránt Szücs
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume II, No. 37: In Lydian mode (Allegretto)
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume II
4:43

17 Progressive pieces for piano, Sz. 107/2, BB 105/37–66 “Mikrokosmos”: Volume 2: XLII. Kíséret tört hármasokkal / XLIII. Magyaros / XLIV. Ellenmozgás
piano:
Loránt Szücs
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume II, No. 42: Accompaniment in Broken Triads
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume II
3:09

18 Progressive pieces for piano, Sz. 107/2, BB 105/37–66 “Mikrokosmos”: Volume 2: XLV. Meditation / XLVI. Növekedés-fogyás / XLVII. Nagyvásár / XLVIII. Mixolíd hangsor
piano:
Loránt Szücs
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume II, No. 45: Meditation
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume II
2:53

19 Progressive pieces for piano, Sz. 107/2, BB 105/37–66 “Mikrokosmos”: Volume 2: XLIX. Crescendo – dimenuendo / L. Minuetto / LI. Ringás / LII. Kétszólamúság kézváltással / LIII. Erdélyies / LIV. Kromatika / LV. Triolák líd hangsorban / LVI. Tercelõ dallam
piano:
Loránt Szücs
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume II, No. 49: Crescendo – Diminuendo
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume II
4:16

20 Progressive pieces for piano, Sz. 107/2, BB 105/37–66 “Mikrokosmos”: Volume 2: LVII. Hangsúlyos / LVIII. Napkeleten / LIX. Dúr és moll / LX. Kánon tartott hangokkal / LXI. Pentaton dallam / LXII. Párhuzamos mozgás kis hatodhangközökben
piano:
Loránt Szücs
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume II, No. 57: Accents
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume II
4:14

21 Progressive pieces for piano, Sz. 107/2, BB 105/37–66 “Mikrokosmos”: Volume 2: LXIII. Zsongás / LXIV. Vonal és pont / LXV. Párbeszéd / LXVI. Dallam elosztva
piano:
Loránt Szücs
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume II, No. 63: Buzzing
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume II
3:44
2
2 Progressive pieces for piano, Sz. 107/3, BB 105/67–96 “Mikrokosmos”: Volume 2: LXVII. Tercekhez egy harmadik szólam / LXVIII. Magyar tánc / LXIX. Akkordtanulmány / LXX. Dallamhoz kettõsfogások / LXXI. Tercek / LXXII. Sárkánytánc / LXXIII. Kettõs- és hármasfogások
piano:
Loránt Szücs
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume III, No. 67: Thirds Against a Single Voice
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume III
6:31

23 Progressive pieces for piano, Sz. 107/3, BB 105/67–96 “Mikrokosmos”: Volume 3: LXXIV. Magyar párosító / LXXV. Triolák / LXXVI. Háromszólamúság / LXXVII. Gyakorlat / LXXVIII. Ötfokú hangsor
piano:
Loránt Szücs
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume III, No. 74: Hungarian Matchmaking Song
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume III
3:14

24 Progressive pieces for piano, Sz. 107/3, BB 105/67–96 “Mikrokosmos”: Volume 3: LXXIX. Hommage à Johann Sebastian Bach / LXXX. Hommage à Robert Schumann
piano:
Loránt Szücs
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume III, No. 79: Hommage à Johann Sebastian Bach
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume III

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Na minha opinião, as principais peças deste 22º CD são as conhecidas Suíte de Danças (aqui em versão para piano), a Sonata e a Suíte para Piano, também conhecida como Out of Doors. As outras duas peças do disco — a primeira e a última — são pequenas joias sem grande lapidação. Mas com esses pianistas húngaros… Olha, eles fazem tudo valer a pena.

A Suíte de Danças, primeira obra de Bartók oficialmente encomendada, foi escrita em 1923 para o cinquentenário da união das cidades de Buda e Peste. Apesar do caráter patriótico da celebração, as cinco danças (interligadas por um refrão de caráter húngaro) apresentam também elementos árabes e romenos.

A Sonata para Piano , BB 88, Sz. 80, foi composta em junho de 1926. 1926 é conhecido pelos musicólogos como o “ano do piano” de Bartók. A obra é altamente dissonante. Usando o piano de forma percussiva, cada movimento tem uma estrutura clássica geral, de acordo com o uso frequente de Bartók de formas clássicas como veículos de um pensamento mais avançado. O musicólogo Halsey Stevens encontra no trabalho as primeiras formas de muitos traços estilísticos que se tornaram mais plenamente desenvolvidos na “era de ouro” de Bartók, 1934-1940. 

A Suíte para Piano Out of Doors (húngaro: Szabadban , alemão: Im Freien , francês: En Plein Air) é um conjunto de cinco peças solo de piano, Sz. 81, BB 89, escrita por Béla Bartók em 1926. Ela está entre as poucas composições instrumentais de Bartók com títulos programáticos.

Béla Bartók (1881-1945): Improvisations on Hungarian peasant songs / Dance suite for orchestra (versão para piano) / Dance suite for orchestra (versão para piano) / Sonata para Piano / Suíte para piano “Out of Doors”/ Nine little piano pieces (Gabos / Tusa) #BRTK140 Vol. 22 de 29

1 Improvisations on Hungarian peasant songs for piano, Sz. 74, BB 83 (Op. 20): I. Molto moderato
piano:
Gábor Gabos (pianist)
recording of:
Improvisations on Hungarian Peasant Songs, op. 20, Sz. 74: I. Molto moderato
composer:
Béla Bartók (composer) (in 1920)
part of:
Improvisations on Hungarian Peasant Songs, op. 20, Sz. 74
1:18

2 Improvisations on Hungarian peasant songs for piano, Sz. 74, BB 83 (Op. 20): II. Molto capriccioso
piano:
Gábor Gabos (pianist)
recording of:
Improvisations on Hungarian Peasant Songs, op. 20, Sz. 74: II. Molto capriccioso
composer:
Béla Bartók (composer) (in 1920)
part of:
Improvisations on Hungarian Peasant Songs, op. 20, Sz. 74
1:08

3 Improvisations on Hungarian peasant songs for piano, Sz. 74, BB 83 (Op. 20): III. Lento, rubato
piano:
Gábor Gabos (pianist)
recording of:
Improvisations on Hungarian Peasant Songs, op. 20, Sz. 74: III. Lento, rubato
composer:
Béla Bartók (composer) (in 1920)
part of:
Improvisations on Hungarian Peasant Songs, op. 20, Sz. 74
2:50

4 Improvisations on Hungarian peasant songs for piano, Sz. 74, BB 83 (Op. 20): IV. Allegretto scherzando
piano:
Gábor Gabos (pianist)
recording of:
Improvisations on Hungarian Peasant Songs, op. 20, Sz. 74: IV. Allegretto scherzando
composer:
Béla Bartók (composer) (in 1920)
part of:
Improvisations on Hungarian Peasant Songs, op. 20, Sz. 74
0:40

5 Improvisations on Hungarian peasant songs for piano, Sz. 74, BB 83 (Op. 20): V. Allegro molto
piano:
Gábor Gabos (pianist)
recording of:
Improvisations on Hungarian Peasant Songs, op. 20, Sz. 74: V. Allegro molto
composer:
Béla Bartók (composer) (in 1920)
part of:
Improvisations on Hungarian Peasant Songs, op. 20, Sz. 74
0:50

6 Improvisations on Hungarian peasant songs for piano, Sz. 74, BB 83 (Op. 20): VI. Allegro moderato, molto capriccioso
piano:
Gábor Gabos (pianist)
recording of:
Improvisations on Hungarian Peasant Songs, op. 20, Sz. 74: VI. Allegro moderato, molto capriccioso
composer:
Béla Bartók (composer) (in 1920)
part of:
Improvisations on Hungarian Peasant Songs, op. 20, Sz. 74
1:40

7 Improvisations on Hungarian peasant songs for piano, Sz. 74, BB 83 (Op. 20): VII. Sostenuto rubato
piano:
Gábor Gabos (pianist)
recording of:
Improvisations on Hungarian Peasant Songs, op. 20, Sz. 74: VII. Sustenuto, rubato
composer:
Béla Bartók (composer) (in 1920)
part of:
Improvisations on Hungarian Peasant Songs, op. 20, Sz. 74
2:31

8 Improvisations on Hungarian peasant songs for piano, Sz. 74, BB 83 (Op. 20): VIII. Allegro
piano:
Gábor Gabos (pianist)
recording of:
Improvisations on Hungarian Peasant Songs, op. 20, Sz. 74: VIII. Allegro
composer:
Béla Bartók (composer) (in 1920)
part of:
Improvisations on Hungarian Peasant Songs, op. 20, Sz. 74
2:08

9 Dance suite for orchestra, Sz. 77, BB 86/a: I. Moderato
piano:
Gábor Gabos (pianist)
recording of:
Dance Suite, Sz. 77, BB 86b: I. Moderato (for piano)
composer:
Béla Bartók (composer) (in 1923)
arranger:
Béla Bartók (composer) (in 1925)
version of:
Dance Suite, Sz. 77, BB 86a: I. Moderato (for orchestra)part of:
Dance Suite, Sz. 77, BB 86b (for piano)
3:38

10 Dance suite for orchestra, Sz. 77, BB 86/a: II. Allegro molto
piano:
Gábor Gabos (pianist)
recording of:
Dance Suite, Sz. 77, BB 86b: II. Allegro molto (for piano)
composer:
Béla Bartók (composer) (in 1923)
arranger:
Béla Bartók (composer) (in 1925)
version of:
Dance Suite, Sz. 77, BB 86a: II. Allegro molto (for orchestra)part of:
Dance Suite, Sz. 77, BB 86b (for piano)
2:21

11 Dance suite for orchestra, Sz. 77, BB 86/a: III. Allegro vivace
piano:
Gábor Gabos (pianist)
recording of:
Dance Suite, Sz. 77, BB 86b: III. Allegro vivace (for piano)
composer:
Béla Bartók (composer) (in 1923)
arranger:
Béla Bartók (composer) (in 1925)
version of:
Dance Suite, Sz. 77, BB 86a: III. Allegro vivace (for orchestra)part of:
Dance Suite, Sz. 77, BB 86b (for piano)
2:48

12 Dance suite for orchestra, Sz. 77, BB 86/a: IV. Molto tranquillo
piano:
Gábor Gabos (pianist)
recording of:
Dance Suite, Sz. 77, BB 86b: IV. Molto tranquillo (for piano)
composer:
Béla Bartók (composer) (in 1923)
arranger:
Béla Bartók (composer) (in 1925)
version of:
Dance Suite, Sz. 77, BB 86a: IV. Molto tranquillo (for orchestra)part of:
Dance Suite, Sz. 77, BB 86b (for piano)
3:07

13 Dance suite for orchestra, Sz. 77, BB 86/a: V. Comodo
piano:
Gábor Gabos (pianist)
recording of:
Dance Suite, Sz. 77, BB 86b: V. Comodo (for piano)
composer:
Béla Bartók (composer) (in 1923)
arranger:
Béla Bartók (composer) (in 1925)
version of:
Dance Suite, Sz. 77, BB 86a: V. Comodo (for orchestra)part of:
Dance Suite, Sz. 77, BB 86b (for piano)
1:00

14 Dance suite for orchestra, Sz. 77, BB 86/a: (VI). Finale. Allegro
piano:
Gábor Gabos (pianist)
recording of:
Dance Suite, Sz. 77, BB 86b: VI. Finale. Allegro (for piano)
composer:
Béla Bartók (composer) (in 1923)
arranger:
Béla Bartók (composer) (in 1925)
version of:
Dance Suite, Sz. 77, BB 86a: VI. Finale. Allegro (for orchestra)part of:
Dance Suite, Sz. 77, BB 86b (for piano)
3:56

15 Sonata for piano, Sz. 80, BB 88: Allegro moderato
piano:
Erzsébet Tusa (pianist)
recording of:
Piano Sonata, Sz. 80: I. Allegro moderato
composer:
Béla Bartók (composer) (in 1926-06)
part of:
Piano Sonata, Sz. 80
4:49

16 Sonata for piano, Sz. 80, BB 88: Sostenuto e pesante
piano:
Erzsébet Tusa (pianist)
recording of:
Piano Sonata, Sz. 80: II. Sostenuto e pesante
composer:
Béla Bartók (composer) (in 1926-06)
part of:
Piano Sonata, Sz. 80
6:27

17 Sonata for piano, Sz. 80, BB 88: Allegro molto
piano:
Erzsébet Tusa (pianist)
recording of:
Piano Sonata, Sz. 80: III. Allegro molto
composer:
Béla Bartók (composer) (in 1926-06)
part of:
Piano Sonata, Sz. 80
3:39

18 Suite for piano, Sz. 81, BB 89 “Out of Doors”: No. 1. Síppal, dobbal…
piano:
Erzsébet Tusa (pianist)
recording of:
Out of Doors, Sz. 81, BB 89, No. 1: With Drums and Pipes
composer:
Béla Bartók (composer) (in 1926)
part of:
Out of Doors, Sz. 81, BB 89
1:47

19 Suite for piano, Sz. 81, BB 89 “Out of Doors”: No. 2. Andante . Barcarolla
piano:
Erzsébet Tusa (pianist)
recording of:
Out of Doors, Sz. 81, BB 89, No. 2: Barcarolla
composer:
Béla Bartók (composer) (in 1926)
part of:
Out of Doors, Sz. 81, BB 89
3:11

20 Suite for piano, Sz. 81, BB 89 “Out of Doors”: No. 3. Moderato. Musettes
piano:
Erzsébet Tusa (pianist)
recording of:
Out of Doors, Sz. 81, BB 89, No. 3: Musettes
composer:
Béla Bartók (composer) (in 1926)
part of:
Out of Doors, Sz. 81, BB 89
3:06

21 Suite for piano, Sz. 81, BB 89 “Out of Doors”: No. 4. Lento. Az éjszaka zenéje
piano:
Erzsébet Tusa (pianist)
recording of:
Out of Doors, Sz. 81, BB 89, No. 4: The Night’s Music
composer:
Béla Bartók (composer) (in 1926)
part of:
Out of Doors, Sz. 81, BB 89
5:37

22 Suite for piano, Sz. 81, BB 89 “Out of Doors”: No. 5. Presto. Hajsza
piano:
Erzsébet Tusa (pianist)
recording of:
Out of Doors, Sz. 81, BB 89, No. 5: The Chase
composer:
Béla Bartók (composer) (in 1926)
part of:
Out of Doors, Sz. 81, BB 89
2:38

23 Nine little piano pieces, Sz. 82, BB 90: Book I, No. 1. Moderato
piano:
Erzsébet Tusa (pianist)
recording of:
9 Little Piano Pieces, Sz. 82: No. 1. Moderato
composer:
Béla Bartók (composer)
part of:
9 Little Piano Pieces, Sz. 82
1:21

24 Nine little piano pieces, Sz. 82, BB 90: Book I, No. 2. Andante
piano:
Erzsébet Tusa (pianist)
recording of:
9 Little Piano Pieces, Sz. 82: No. 2. Andante
composer:
Béla Bartók (composer)
part of:
9 Little Piano Pieces, Sz. 82
1:16

25 Nine little piano pieces, Sz. 82, BB 90: Book I, No. 3. Lento
piano:
Erzsébet Tusa (pianist)
recording of:
9 Little Piano Pieces, Sz. 82: No. 3. Lento
composer:
Béla Bartók (composer)
part of:
9 Little Piano Pieces, Sz. 82
1:48

26 Nine little piano pieces, Sz. 82, BB 90: Book I, No. 4. Allegro vivace
piano:
Erzsébet Tusa (pianist)
recording of:
9 Little Piano Pieces, Sz. 82: No. 4. Allegro vovace
composer:
Béla Bartók (composer)
part of:
9 Little Piano Pieces, Sz. 82
1:08

27 Nine little piano pieces, Sz. 82, BB 90: Book II, No. 5. Menuetto
piano:
Erzsébet Tusa (pianist)
recording of:
9 Little Piano Pieces, Sz. 82: No. 5. Menuetto. Moderato
composer:
Béla Bartók (composer)
part of:
9 Little Piano Pieces, Sz. 82
1:48

28 Nine little piano pieces, Sz. 82, BB 90: Book II, No. 6. Allegro. Dal
piano:
Erzsébet Tusa (pianist)
recording of:
9 Little Piano Pieces, Sz. 82: No. 6, Air. Allegro – Meno mosso
composer:
Béla Bartók (composer)
part of:
9 Little Piano Pieces, Sz. 82
1:00

29 Nine little piano pieces, Sz. 82, BB 90: Book II, No. 7. Comodo. Marcia delle bestie
piano:
Erzsébet Tusa (pianist)
recording of:
9 Little Piano Pieces, Sz. 82: No. 7. Marcia delle bestie. Comodo
composer:
Béla Bartók (composer)
part of:
9 Little Piano Pieces, Sz. 82
1:49

30 Nine little piano pieces, Sz. 82, BB 90: Book II, No. 8. Allegro molto. Csörgõ-tánc
piano:
Erzsébet Tusa (pianist)
recording of:
9 Little Piano Pieces, Sz. 82: No. 8. Tambourine. Allegro molto
composer:
Béla Bartók (composer)
part of:
9 Little Piano Pieces, Sz. 82
1:09

31 Nine little piano pieces, Sz. 82, BB 90: Book III, No. 9. Preludio. Molto moderato – allegro non troppo, molto ritmico
piano:
Erzsébet Tusa (pianist)
recording of:
9 Little Piano Pieces, Sz. 82: No. 9. Preludio – All ungherese
composer:
Béla Bartók (composer)
part of:
9 Little Piano Pieces, Sz. 82

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Aqui, toda a coleção.

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Conheci Bartók através do Allegro Barbaro. Foi amor à primeira ouvida. Ele foi composto em 1911, é uma das peças para piano solo mais famosas e frequentemente executadas de Béla Bartók. A composição é típica de seu estilo, utilizando temas folclóricos. A obra combina os estilos húngaro e romeno. A música camponesa húngara é baseada na escala pentatônica, enquanto a romena é amplamente cromática. A peça foi executada muitas vezes em privado por Bartók. Ele tocava de memória e foi só depois que ele a passou para o papel.  Bartók estreou a peça em fevereiro de 1913.

Mas este disco tem muito mais. Só a Sonatina on traditional Romanian folk tunes e as Romanian folk dances já valeriam a audição, mas… Há também lindas pecinhas a serem garimpadas nas Teaching Pieces e no resto. Quem tem alguma familiaridade com a música daquela região da Europa, vai reconhecer várias melodias. Os dois pianistas desta gravação são esplêndidos. Este é um CD para ser ouvido dezenas de vezes!

Béla Bartók (1881-1945): Three burlesques / Allegro barbaro / Teaching pieces / Sonatina on traditional Romanian folk tunes / Romanian folk dances / Romanian Christmas carols / Studies for piano / Hungarian folk tunes / Hungarian peasant songs / (Dezső / Gabos) #BRTK140 Vol. 21 de 29

1 Three burlesques for piano, Sz. 47, BB 55 (Op. 8c): No. 1. Perpatvar
piano:
Ránki Dezső
recording of:
Three Burlesques, Sz. 47, BB 55, No. 1: Quarrel
composer:
Béla Bartók (composer)
part of:
Three Burlesques, Sz. 47, BB 55
2:10

2 Three burlesques for piano, Sz. 47, BB 55 (Op. 8c): No. 2. Kicsit azottan
piano:
Ránki Dezső
recording of:
Three Burlesques, Sz. 47, BB 55, No. 2: A Little Tipsy
composer:
Béla Bartók (composer)
part of:
Three Burlesques, Sz. 47, BB 55
2:21

3 Three burlesques for piano, Sz. 47, BB 55 (Op. 8c): No. 3. (Molto vivo capriccioso)
piano:
Ránki Dezső
recording of:
Three Burlesques, Sz. 47, BB 55, No. 3: Molto vivo, capriccioso
composer:
Béla Bartók (composer)
part of:
Three Burlesques, Sz. 47, BB 55
2:30

4 Allegro barbaro, for piano, Sz. 49, BB 63
piano:
Ránki Dezső
recording of:
Allegro barbaro, Sz. 49, BB 63
composer:
Béla Bartók (composer) (in 1911)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 49) and Béla Bartók’s Works (BB) (number: BB 63)
2:40

5 Teaching pieces for piano, Sz. 53/BB 66 “Kezdok zongoramuzsikáya”: No. 1. (Moderato)
piano:
Ránki Dezső
recording of:
The First Term at the Piano: No. 1. Moderato
composer:
Béla Bartók (composer)
part of:
First Term at the Piano, BB 66, Sz. 53
0:25

6 Teaching pieces for piano, Sz. 53/BB 66 “Kezdok zongoramuzsikáya”: No. 2. (Moderato)
piano:
Ránki Dezső
recording of:
The First Term at the Piano: No. 2. Moderato
composer:
Béla Bartók (composer)
part of:
First Term at the Piano, BB 66, Sz. 53
0:32

7 Teaching pieces for piano, Sz. 53/BB 66 “Kezdok zongoramuzsikáya”: No. 3. (Moderato). Párbeszéd
piano:
Ránki Dezső
recording of:
The First Term at the Piano: No. 3. Dialogue. Moderato
composer:
Béla Bartók (composer)
part of:
First Term at the Piano, BB 66, Sz. 53
0:28

8 Teaching pieces for piano, Sz. 53/BB 66 “Kezdok zongoramuzsikáya”: No. 4. (Moderato). Párbeszéd
piano:
Ránki Dezső
recording of:
The First Term at the Piano: No. 4. Dialogue. Moderato
composer:
Béla Bartók (composer)
part of:
First Term at the Piano, BB 66, Sz. 53
0:29

9 Teaching pieces for piano, Sz. 53/BB 66 “Kezdok zongoramuzsikáya”: No. 5. (Moderato)
piano:
Ránki Dezső
recording of:
The First Term at the Piano: No. 5. Moderato
composer:
Béla Bartók (composer)
part of:
First Term at the Piano, BB 66, Sz. 53
0:17

10 Teaching pieces for piano, Sz. 53/BB 66 “Kezdok zongoramuzsikáya”: No. 6. (Moderato)
piano:
Ránki Dezső
recording of:
The First Term at the Piano: No. 6. Moderato
composer:
Béla Bartók (composer)
part of:
First Term at the Piano, BB 66, Sz. 53
0:42

11 Teaching pieces for piano, Sz. 53/BB 66 “Kezdok zongoramuzsikáya”: No. 7. (Moderato). Népdal
piano:
Ránki Dezső
recording of:
The First Term at the Piano: No. 7. Folk Song. Moderato
composer:
Béla Bartók (composer)
part of:
First Term at the Piano, BB 66, Sz. 53
0:23

12 Teaching pieces for piano, Sz. 53/BB 66 “Kezdok zongoramuzsikáya”: No. 8. (Andante)
piano:
Ránki Dezső
recording of:
The First Term at the Piano: No. 8. Andante
composer:
Béla Bartók (composer)
part of:
First Term at the Piano, BB 66, Sz. 53
0:31

13 Teaching pieces for piano, Sz. 53/BB 66 “Kezdok zongoramuzsikáya”: No. 9. (Andante)
piano:
Ránki Dezső
recording of:
The First Term at the Piano: No. 9. Andante
composer:
Béla Bartók (composer)
part of:
First Term at the Piano, BB 66, Sz. 53
0:30

14 Teaching pieces for piano, Sz. 53/BB 66 “Kezdok zongoramuzsikáya”: No. 10. Allegro. Népdal
piano:
Ránki Dezső
recording of:
The First Term at the Piano: No. 10. Folk Song. Allegro
composer:
Béla Bartók (composer)
part of:
First Term at the Piano, BB 66, Sz. 53
0:33

15 Teaching pieces for piano, Sz. 53/BB 66 “Kezdok zongoramuzsikáya”: No. 11. Andante. Menüett
piano:
Ránki Dezső
recording of:
The First Term at the Piano: No. 11. Minuet. Andante
composer:
Béla Bartók (composer)
part of:
First Term at the Piano, BB 66, Sz. 53
0:30

16 Teaching pieces for piano, Sz. 53/BB 66 “Kezdok zongoramuzsikáya”: No. 12. (Allegro). Kanasztanc
piano:
Ránki Dezső
recording of:
The First Term at the Piano: No. 12. Swineherd’s Dance. Allegro
composer:
Béla Bartók (composer)
part of:
First Term at the Piano, BB 66, Sz. 53
0:46

17 Teaching pieces for piano, Sz. 53/BB 66 “Kezdok zongoramuzsikáya”: No. 13. Népdal. Hol jártál, báránykám?
piano:
Ránki Dezső
recording of:
The First Term at the Piano: No. 13. “Where Have You Been, My Lambkin?” (Folk Song). Andante
composer:
Béla Bartók (composer)
part of:
First Term at the Piano, BB 66, Sz. 53
0:56

18 Teaching pieces for piano, Sz. 53/BB 66 “Kezdok zongoramuzsikáya”: No. 14. (Andante)
piano:
Ránki Dezső
recording of:
The First Term at the Piano: No. 14. Andante
composer:
Béla Bartók (composer)
part of:
First Term at the Piano, BB 66, Sz. 53
0:40

19 Teaching pieces for piano, Sz. 53/BB 66 “Kezdok zongoramuzsikáya”: No. 15. (Moderato). Lakodalmas
piano:
Ránki Dezső
recording of:
The First Term at the Piano: No. 15. Wedding Song. Moderato
composer:
Béla Bartók (composer)
part of:
First Term at the Piano, BB 66, Sz. 53
0:32

20 Teaching pieces for piano, Sz. 53/BB 66 “Kezdok zongoramuzsikáya”: No. 16. (Allegro moderato). Paraszttánc
piano:
Ránki Dezső
recording of:
The First Term at the Piano: No. 16. Peasant’s Dance. Allegro moderato
composer:
Béla Bartók (composer)
part of:
First Term at the Piano, BB 66, Sz. 53
0:18

21 Teaching pieces for piano, Sz. 53/BB 66 “Kezdok zongoramuzsikáya”: No. 17. Allegro deciso
piano:
Ránki Dezső
recording of:
The First Term at the Piano: No. 17. Allegro deciso
composer:
Béla Bartók (composer)
part of:
First Term at the Piano, BB 66, Sz. 53
0:21

22 Teaching pieces for piano, Sz. 53/BB 66 “Kezdok zongoramuzsikáya”: No. 18. (Tempo di valse). Keringõ
piano:
Ránki Dezső
recording of:
The First Term at the Piano: No. 18. Waltz. Tempo di valse
composer:
Béla Bartók (composer)
part of:
First Term at the Piano, BB 66, Sz. 53
0:41

23 Sonatina on traditional Romanian folk tunes for piano, Sz. 55, BB 69: I. Allegretto. Dudások
piano:
Ránki Dezső
recording of:
Sonatina, Sz. 55, BB 69: I. Dudások. Molto moderato
composer:
Béla Bartók (composer) (in 1915)
part of:
Sonatina, Sz. 55, BB 69
1:42

24 Sonatina on traditional Romanian folk tunes for piano, Sz. 55, BB 69: II. Moderato. Medvetánc
piano:
Ránki Dezső
recording of:
Sonatina, Sz. 55, BB 69: II. Medvetánc. Moderato
composer:
Béla Bartók (composer) (in 1915)
part of:
Sonatina, Sz. 55, BB 69
0:46

25 Sonatina on traditional Romanian folk tunes for piano, Sz. 55, BB 69: III. Allegro vivace. Finale
piano:
Ránki Dezső
recording of:
Sonatina, Sz. 55, BB 69: III. Finale. Allegro vivace
composer:
Béla Bartók (composer) (in 1915)
part of:
Sonatina, Sz. 55, BB 69
1:48

26 Romanian folk dances for piano, Sz. 56, BB 68: No. 1. (Allegro moderato). Bot-tánc
piano:
Ránki Dezső
recording of:
Romanian Folk Dances, Sz. 56, BB 68, No. 1: Jocul cu bâtă
composer:
Béla Bartók (composer)
part of:
Romanian Folk Dances, Sz. 56, BB 68
1:08

27 Romanian folk dances for piano, Sz. 56, BB 68: No. 2. (Allegro). Brâul
piano:
Ránki Dezső
recording of:
Romanian Folk Dances, Sz. 56, BB 68, No. 2: Brâul
composer:
Béla Bartók (composer)
part of:
Romanian Folk Dances, Sz. 56, BB 68
0:27

28 Romanian folk dances for piano, Sz. 56, BB 68: No. 3. (Andante). Topogó
piano:
Ránki Dezső
recording of:
Romanian Folk Dances, Sz. 56, BB 68, No. 3: Pe Loc
composer:
Béla Bartók (composer)
part of:
Romanian Folk Dances, Sz. 56, BB 68
0:55

29 Romanian folk dances for piano, Sz. 56, BB 68: No. 4. (Moderato). Bucsumi tánc
piano:
Ránki Dezső
recording of:
Romanian Folk Dances, Sz. 56, BB 68, No. 4: Buciumeana
composer:
Béla Bartók (composer)
part of:
Romanian Folk Dances, Sz. 56, BB 68
0:40

30 Romanian folk dances for piano, Sz. 56, BB 68: No. 5. (Allegro). Román “polka”
piano:
Ránki Dezső
recording of:
Romanian Folk Dances, Sz. 56, BB 68, No. 5: Poarga Românească
composer:
Béla Bartók (composer)
part of:
Romanian Folk Dances, Sz. 56, BB 68
0:28

31 Romanian folk dances for piano, Sz. 56, BB 68: No. 6. (Allegro). Aprózó
piano:
Ránki Dezső
recording of:
Romanian Folk Dances, Sz. 56, BB 68, No. 6: Mărunţel
composer:
Béla Bartók (composer)
part of:
Romanian Folk Dances, Sz. 56, BB 68
0:53

32 Romanian Christmas carols, pieces in 2 series for piano, Sz. 57, BB 67: I. Allegro / II. Allegro / III. Allegro / IV. Andante / V. Allegro moderato / VI. Andante / VII. Andante / VIII. Allegretto / IX. Allegro / X. Più allegro
4:35

33 Romanian Christmas carols, pieces in 2 series for piano, Sz. 57, BB 67: I Molto moderato / II. Moderato / III. Andante / IV. Andante / V. Moderato / VI. Andante / VII. Variante della precedente / (VI). Andante / VIII. Allegro / IX. Allegretto / X. Allegro
6:11

34 Studies for piano, Sz. 72, BB 81 (Op. 18): I. Allegretto
recording of:
Suite for Piano, op. 14, Sz. 62: I. Allegretto
composer:
Béla Bartók (composer) (in 1916-02)
part of:
Suite for Piano, op. 14, Sz. 62
2:04

35 Studies for piano, Sz. 72, BB 81 (Op. 18): II. Scherzo
recording of:
Suite for Piano, op. 14, Sz. 62: II. Scherzo
composer:
Béla Bartók (composer) (in 1916-02)
part of:
Suite for Piano, op. 14, Sz. 62
1:55

36 Studies for piano, Sz. 72, BB 81 (Op. 18): III. Allegro molto
recording of:
Suite for Piano, op. 14, Sz. 62: III. Allegro molto
composer:
Béla Bartók (composer) (in 1916-02)
part of:
Suite for Piano, op. 14, Sz. 62
2:06

37 Studies for piano, Sz. 72, BB 81 (Op. 18): IV. Sostenuto
recording of:
Suite for Piano, op. 14, Sz. 62: IV. Sostenuto
composer:
Béla Bartók (composer) (in 1916-02)
part of:
Suite for Piano, op. 14, Sz. 62
3:07

38 Hungarian folk tunes, for piano, Sz. 66, BB 80/b: No. 1. (Andante tranquillo rubato). Leszállott a páva
recording of:
3 Hungarian Folk Tunes, Sz. 66: No. 1. Andante tranquillo, rubato
composer:
Béla Bartók (composer)
part of:
3 Hungarian Folk Songs, BB 80b, Sz. 66
1:04

39 Hungarian folk tunes, for piano, Sz. 66, BB 80/b: No. 2. (Allegro non troppo, un poco rubato). Jánoshidi vásárban
recording of:
3 Hungarian Folk Tunes, Sz. 66: No. 2. Allegro non troppo, un poco rubato
composer:
Béla Bartók (composer)
part of:
3 Hungarian Folk Songs, BB 80b, Sz. 66
1:06

40 Hungarian folk tunes, for piano, Sz. 66, BB 80/b: No. 3. (Maestoso). Fehér liliomszál
recording of:
3 Hungarian Folk Tunes, Sz. 66: No. 3. Maestoso
composer:
Béla Bartók (composer)
part of:
3 Hungarian Folk Songs, BB 80b, Sz. 66
1:31

41 Hungarian peasant songs for piano, Sz. 71, BB 79: No. 1 Régi keserves: Rubato
piano:
Gábor Gabos (pianist)
recording of:
15 Hungarian Peasant Songs, Sz. 71: No. 1. Rubato
composer:
Béla Bartók (composer)
part of:
15 Hungarian Peasant Songs, Sz. 71, BB 79
0:54

42 Hungarian peasant songs for piano, Sz. 71, BB 79: No. 2 Régi keserves: Andante
piano:
Gábor Gabos (pianist)
recording of:
15 Hungarian Peasant Songs, Sz. 71: No. 2. Andante
composer:
Béla Bartók (composer)
part of:
15 Hungarian Peasant Songs, Sz. 71, BB 79
2:02

43 Hungarian peasant songs for piano, Sz. 71, BB 79: No. 3 Régi keserves: Poco rubato
piano:
Gábor Gabos (pianist)
recording of:
15 Hungarian Peasant Songs, Sz. 71: No. 3. Poco rubato
composer:
Béla Bartók (composer)
part of:
15 Hungarian Peasant Songs, Sz. 71, BB 79
0:42

44 Hungarian peasant songs for piano, Sz. 71, BB 79: No. 4 Régi keserves: Andante
piano:
Gábor Gabos (pianist)
recording of:
15 Hungarian Peasant Songs, Sz. 71: No. 4. Andante
composer:
Béla Bartók (composer)
part of:
15 Hungarian Peasant Songs, Sz. 71, BB 79
0:41

45 Hungarian peasant songs for piano, Sz. 71, BB 79: No. 5. Scherzo: Allegro
piano:
Gábor Gabos (pianist)
recording of:
15 Hungarian Peasant Songs, Sz. 71: No. 5. Scherzo. Allegro
composer:
Béla Bartók (composer)
part of:
15 Hungarian Peasant Songs, Sz. 71, BB 79
0:45

46 Hungarian peasant songs for piano, Sz. 71, BB 79: No. 6. Ballade: (Tema con variazioni)
piano:
Gábor Gabos (pianist)
recording of:
15 Hungarian Peasant Songs, Sz. 71: No. 6. Ballade (Tema con variazioni). Andante – Poco adagio – …
composer:
Béla Bartók (composer)
part of:
15 Hungarian Peasant Songs, Sz. 71, BB 79
2:22

47 Hungarian peasant songs for piano, Sz. 71, BB 79: No. 7. Régi táncdalok: Allegro
piano:
Gábor Gabos (pianist)
recording of:
15 Hungarian Peasant Songs, Sz. 71: No. 7. Allegro
composer:
Béla Bartók (composer)
part of:
15 Hungarian Peasant Songs, Sz. 71, BB 79
0:44

48 Hungarian peasant songs for piano, Sz. 71, BB 79: No. 8. Régi táncdalok: Allegretto
piano:
Gábor Gabos (pianist)
recording of:
15 Hungarian Peasant Songs, Sz. 71: No. 8. Allegretto
composer:
Béla Bartók (composer)
part of:
15 Hungarian Peasant Songs, Sz. 71, BB 79
0:34

49 Hungarian peasant songs for piano, Sz. 71, BB 79: No. 9. Régi táncdalok: Allegretto
piano:
Gábor Gabos (pianist)
recording of:
15 Hungarian Peasant Songs, Sz. 71: No. 9. Allegretto
composer:
Béla Bartók (composer)
part of:
15 Hungarian Peasant Songs, Sz. 71, BB 79
0:13

50 Hungarian peasant songs for piano, Sz. 71, BB 79: No. 10. Régi táncdalok:L’istesso tempo
piano:
Gábor Gabos (pianist)
recording of:
15 Hungarian Peasant Songs, Sz. 71: No. 10. L’istesso tempo (quasitrio)
composer:
Béla Bartók (composer)
part of:
15 Hungarian Peasant Songs, Sz. 71, BB 79
0:26

51 Hungarian peasant songs for piano, Sz. 71, BB 79: No. 11. Régi táncdalok: Assai moderato
piano:
Gábor Gabos (pianist)
recording of:
15 Hungarian Peasant Songs, Sz. 71: No. 11. Assai moderato
composer:
Béla Bartók (composer)
part of:
15 Hungarian Peasant Songs, Sz. 71, BB 79
0:43

52 Hungarian peasant songs for piano, Sz. 71, BB 79: No. 12. Régi táncdalok: Allegretto
piano:
Gábor Gabos (pianist)
recording of:
15 Hungarian Peasant Songs, Sz. 71: No. 12. Allegretto
composer:
Béla Bartók (composer)
part of:
15 Hungarian Peasant Songs, Sz. 71, BB 79
0:30

53 Hungarian peasant songs for piano, Sz. 71, BB 79: No. 13. Régi táncdalok: Poco più vivo
piano:
Gábor Gabos (pianist)
recording of:
15 Hungarian Peasant Songs, Sz. 71: No. 13. Poco piu vivo – Allegretto
composer:
Béla Bartók (composer)
part of:
15 Hungarian Peasant Songs, Sz. 71, BB 79
0:27

54 Hungarian peasant songs for piano, Sz. 71, BB 79: No. 14. Régi táncdalok: Allegro
piano:
Gábor Gabos (pianist)
recording of:
15 Hungarian Peasant Songs, Sz. 71: No. 14. Allegro
composer:
Béla Bartók (composer)
part of:
15 Hungarian Peasant Songs, Sz. 71, BB 79
0:30

55 Hungarian peasant songs for piano, Sz. 71, BB 79: No. 15. Régi táncdalok: Allegro
piano:
Gábor Gabos (pianist)
recording of:
15 Hungarian Peasant Songs, Sz. 71: No. 15. Allegro
composer:
Béla Bartók (composer)
part of:
15 Hungarian Peasant Songs, Sz. 71, BB 79
1:22

56 Studies for piano, Sz. 72, BB 81 (Op. 18): Allegro molto
piano:
Gábor Gabos (pianist)
recording of:
3 Studies (Etudök), op. 18, Sz. 72: I. Allegro molto
composer:
Béla Bartók (composer)
part of:
3 Studies (Etudök), op. 18, Sz. 72
2:15

57 Studies for piano, Sz. 72, BB 81 (Op. 18): Andante sostenuto
piano:
Gábor Gabos (pianist)
recording of:
3 Studies (Etudök), op. 18, Sz. 72: II. Andante sostenuto – Più mosso
composer:
Béla Bartók (composer)
part of:
3 Studies (Etudök), op. 18, Sz. 72
3:40

58 Studies for piano, Sz. 72, BB 81 (Op. 18): Rubato; Tempo giusto capriccioso
piano:
Gábor Gabos (pianist)
recording of:
3 Studies (Etudök), op. 18, Sz. 72: III. Rubato – Molto sostenuto – Tempo giusto – Rubato
composer:
Béla Bartók (composer)
part of:
3 Studies (Etudök), op. 18, Sz. 72

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