Ronald Brautigam é um cara discreto, creio. É um dos principais intérpretes de Beethoven deste novo século, e sua integral das sonatas interpretadas em um pianoforte fizeram bastante sucesso por aqui há alguns anos atrás. Grava por um selo sueco chamado BIS, excelente por sinal, e aparentemente foge um pouco da fama se comparado com outros pianistas de sua geração. Digo que isso é o que me parece, não sei se estou correto.
Ai quando o cara foi encarar os concertos para piano, eis que escolhe um piano moderno de cauda. No site da gravadora temos uma explicação:
“If they have not already heard the recordings themselves, everyone with an interest in Beethoven will at least have heard reports of Ronald Brautigam’s ongoing cycle of the complete music for solo piano. Performed on the fortepiano, this project has been greeted with enormous interest by the reviewers. One contributing factor has been the choice of instrument, which has brought new perspectives to the music, causing one reviewer to expect a cycle ‘that challenges the very notion of playing this music on modern instruments, a stylistic paradigm shift’ (Fanfare). But more important for the critical success have been the direct and immediately engaging interpretations. ‘One has almost the feeling of being Beethoven’s contemporary, one of the first, infinitely surprised – not to say shocked – listeners to this music’ as the reviewer in Süddeutsche Zeitung phrased it, backed up by his colleague in International Record Review, writing about the Moonlight Sonata: ‘a Presto agitato from hell; such controlled fury and unrelenting intensity, yet musical to the core, and never banged out. It took sometime before I was able to unpin myself to the wall…’
With five discs released so far in the cycle, Brautigam now takes on Beethoven’s complete works for piano and orchestra, choosing to do so on a modern piano and with a modern instrument orchestra: the Norrköping Symphony Orchestra, internationally acclaimed for its many fine recordings on BIS. Conducting the series is Andrew Parrott, and together with the soloist, he brings all his expertise in period performance practice to bear in interpretations that in many ways are as fresh and revolutionary as those of the sonata cycle. The present disc, with Concertos No.1 and No.3, is the first of a cycle of four, and was recorded with the piano, without a lid, placed in the middle of the orchestra. As Ronald Brautigam explains in the liner notes: ‘I truly believe that what Beethoven wanted was chamber music rather than a battle between orchestra and soloist, and this makes for a wonderfully interactive set-up, where individual players have far more contact with the pianist than in a regular concert set-up’.”
O cara não é realmente uma figura? E por que diabos os senhores ainda não baixaram este primeiro CD?
P.S. Sugiro lerem a entrevista de Brautigam no booklet que segue junto com este CD. Vale a pena.
01. Piano Concerto No. 1 in C major, Op. 15 1. Allegro con brio
02. Piano Concerto No. 1 in C major, Op. 15 2. Largo
03. Piano Concerto No. 1 in C major, Op. 15 3. Rondo. Allegro
04. Piano Concerto No. 3 in C minor, Op. 37 1. Allegro con brio
05. Piano Concerto No. 3 in C minor, Op. 37 2. Largo
06. Piano Concerto No. 3 in C minor, Op. 37 3. Rondo. Allegro
Ronald Brautigam – Piano
Norrköping Symphony Orchestra
Andrew Parrott – Conductor