Johann Sebastian Bach (1685-1750) – Complete Cantatas – Vol. 4 de 22 – Ton Koopman, Amsterdam Baroque Orchestra & Choir, etc.

Problemas alheios à nossa vontade me fizeram trocar de servidor de armazenamento de meus arquivos (sim, mais uma vez o MEGA está fora do ar, aparentemente ação de hackers). E mais uma vez, estou trocando de servidor, desta vez estou migrando para o Zippyshare, que, segundo a propaganda, é gratuito e não tem limite de espaço. Aguardo a opinião dos senhores. Não sei se o MEGA vai voltar, e não, se não voltar, lamento, mas não tenho como subir novamente todo o meu acervo armazenado lá, sei lá quanto é.
O Quarto Volume da integral das Cantatas de Bach nas mãos de Ton Koopman está, como não poderia deixar de ser, impecável. Aqui teremos as magníficas Cantatas Seculares e foram compostas durante o período em Leipzig. Abaixo, um trecho do booklet explica :

“The fourth volume of the complete recordings of Bach’s cantatas is devoted exclusively to secular cantatas of the Leipzig period essentially from the years 1726-1734. Actually the term “secular cantata” is completely foreign to Johann Sebastian Bach and his time. It first became established in the latter half of the 19th century and paved the way for an almost fatal polarisation in the evaluation of Bach’s secular and religious vocal music, of which the effects are evident to this day, in both research and performance. In fact it is quite artificial to oppose sacred cantatas against secular. The first genre to emerge was the secular cantata, for the Italian term “cantata” was first used in the 17th century to designate the musical setting of a secular text, and it was not until 1700 in Protestant Germany that it was used to describe sacred music, when Erdmann Neumeister published his librettos Geistliche Cantatevi statt einer Kirchen-Musik in Weissenfeis, with far-reaching influence.”

Com exceção do Baixo Klaus Mertens e do tenor Paul Agnew, sempre presentes em outros volumes da coleção, Koopman troca aqui todos os outros cantores. A listagem está abaixo. Espero que apreciem esta postagem, sempre feita a toque de caixa, em virtude da total falta de tempo, e deste contratempo relatado acima, relativo ao servidor.

P.S. 1 – Depois de muitas reclamações, resolvi trocar de servidor de armazenamento. Agora estou usando o Google Drive, com o qual não creio que vá ter maiores problemas.

CD 1

“Laß Fürstin, laß noch einen Strahl” BWV 198

1 Chorus: “Laß Fürstin, laß noch einen Strahl”
2 Recitative (Soprano): “Dein Sachsen, dein bestürztes Meissen”
3 Aria (Soprano): “Verstummt, verstummt, ihr holden Saiten!”
4 Recitative (Alto): “Der Glocken bebendes Getön”
5 Aria (Alto): “Wie starb die Heldin so vergnügt!”
6 Recitative (Tenor): “Ihr Leben ließ die Kunst zu sterben”
7 Chorus: “An dir, du Fürbild grosser Frauen”
8 Aria (Tenor): “Der Ewigkeit saphirnes Haus”
9 Recitative (Bass): “Was Wunder ist’s?”
10 Chorus: “Doch, Königin! du stirbest nicht”

Lisa Larsson soprano
Elisabeth von Magnus alto
Paul Agnew tenor
Klaus Mertens bass

“Preise dein Glücke gesegnetes Sachsen” BWV 215

11 Chorus: “Preise dein Glücke, gesegnetes Sachsen”
12 Recitative (Tenor): “Wie können wir, großmächtigster August”
13 Aria (Tenor): “Freilich trotzt August’ Name”
14 Recitative (Bass): “Was hast dich sonst, Sarmatien, bewogen”
15 Aria (Bass): “Rase nur, verwegner Schwärm”
16 Recitative (Soprano): “Ja, ja! Gott ist uns noch mit seiner Hülfe nah”
17 Aria (Soprano): “Durch die von Eifer entflammeten Waffen”
18 Recitative and arioso (Tenor, Bass, Soprano): “Laß doch, o teurer Landesvater, zu”
19 Chorus: “Stifter der Reiche, Beherrscher der Kronen”

Eis Bongers soprano
Paul Agnew tenor
Klaus Mertens bass

CD 2

“Schweigt stille plaudert nicht” BWV 211 “Schweigt stille plaudert nicht” BWV 211

1 Recitative (Tenor): “Schweigt stille, plaudert nicht”
2 Aria (Bass): “Hat man nicht mit seinen Kindern”
3 Recitative (Soprano, Bass): “Du böses Kind, du loses Mädchen”
4 Aria (Soprano): “Ei! wie schmeckt der Coffee süße”
5 Recitative (Soprano, Bass): “Wenn du mir nicht den Coffee läßt”
6 Aria (Bass): “Mädchen, die von harten Sinnen”
7 Recitative (Soprano, Bass): “Nun folge, was dein Vater spricht”
8 Aria (Soprano): “Heute noch, lieber Vater tut es doch”
9 Recitative (Tenor): “Nun geht und sucht der alte Schlendrian”
10 Chorus (Soprano, Tenor, Bass): “Die Katze läßt das Mausen nicht”

Anne Grimm soprano (Liesgen)
Paul Agnew tenor
Klaus Mertens bass (Herr Schlendrian)

“Tönet, ihr Pauken! Erschallet, Trompeten!” BWV 214

11 Chorus: “Tönet, ihr Pauken! Erschallet, Trompeten!”
12 Recitative (Tenor): “Heut ist der Tag, wo jeder sich erfreuen mag”
13 Aria (Soprano): “Blast die wohlgegriffnen Flöten”
14 Recitative (Soprano): “Mein knallendes Metall”
15 Aria (Alto): “Fromme Musen! meine Glieder!”
16 Recitative (Alto): “Unsre Königin im Lande”
17 Aria (Bass): Kron und Preis gekrönter Damen”
18 Recitative (Bass): “So dringe in das weite Erdenrund”
19 Chorus: “Blühet, ihr Linden in Sachsen, wie Zedern!”

Eis Bongers soprano
Elisabeth Von Magnus alto
Paul Agnew tenor
Klaus Mertens bass

“Non sa che sia dolore” BWV 209

20 Sinfonia
21 Recitative: “Non sa che sia dolore”
22 Aria: “Parti pur, e con dolore” 8’31
23 Recitative: “Tuo saver al tempo e l’età contrasta”
24 Aria: “Ricetti gramezza e pavento”

Lisa Larsson, soprano

CD 3

“Ich bin in mir vergnügt” BWV 204

1 Recitative: “Ich bin in mir vergnügt”
2 Aria: “Ruhig und in sich zufrieden”
3 Recitative: “Ihr Seelen, die ihr außer euch”
4 Aria: “Die Schätzbarkeit der weiten Erden”
5 Recitative: “Schwer ist es zwar, viel Eitles zu besitzen”
6 Aria: “Meine Seele sei vergnügt”
7 Recitative and arioso: “Ein edler Mensch ist Perlenmuscheln gleich”
8 Aria: “Himmlische Vergnügsamkeit”

Lisa Larsson, soprano

“Geschwinde, ihr wirbelnden Winde” BWV 201

9 Chorus: “Geschwinde, geschwinde ihr wirbelnden Winde”
10 Recitative (Soprano, Bass I & II): “Und du bist doch so unverschämt und frei”
11 Aria (Soprano): “Patron, das macht der Wind”
12 Recitative (Alto, Bass I & II): “Was braucht ihr euch zu zanken?”
13 Aria (Bass 1): “Mit Verlangen”
14 Recitative (Soprano, Bass II): “Pan, rükke deine Kehle nun”
15 Aria (Bass II): “Zu Tanze, zu Sprunge, so wakkelt das Herz”
17 Aria (Tenor): “Phoebus, deine Melodei”
18 Recitative (Bass II, Tenor II): “Komm, Midas, sage du nun an”
19 Aria (Tenor): “Pan ist Meister, laßt ihn gehn!”
20 Recitative (Soprano, Alto, Tenor I & II, Bass I & II): “Wie, Midas, bist du toll?”
21 Aria (Alto): “Aufgeblasne Hitze, aber wenig Grütze”
22 Recitative (Soprano): “Du guter Midas, geh nun hin”
23 Chorus: “Lobt das Herz, ihr holden Saiten”

Caroline Stani soprano (Momus)
Peter de Groot alto (Mercurius)
Paul Agnew tenori (Tmolus)
Jeremy Ovenden tenor II (Midas)
Klaus Mertens bass I (Phoebus)
Donald Bentvelsen bass II (Pan)

THE AMSTERDAM BAROQUE ORCHESTRA & CHOIR
TON KOOPMAN

CD 1 – DOWNLOAD HERE – BAIXE AQUI

CD 2 – DOWNLOAD HERE – BAIXE AQUI

CD 3 – DOWNLOAD HERE – BAIXE AQUI